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Dake Zhu's Speech | A Personal Renaissance | All of the Dake Zhu's speech,about the origin of Chinese civilization, Chinese culture, Chinese history of mythology and Chinese modern myths and novels | Popular cultural criticism to China | 这是朱大可的个人网站"一个人的文化复兴”，收录了他的主要作品（文化批评、小说和随笔等）及其相关研究和报道 A man's renaissance DAKE ZHU'S SPEECH: A PERSONAL RENAISSANCE 本站最佳浏览方式：座机 非洲的暴风雨(2) ENYA 00:00 / 02:59 Come on, just push open this door, you can enter the home of a Chinese watcher and cultural revivalist Chinese Culture Decoding @DakeZhu Online Portfolio Zhu Dake's important articles will be shown to you step by step in this space. You will see my various discussions on Chinese history, the history of Chinese mythology, contemporary popular culture and Chinese literature, and even, you can read my memoirs and my legend ary novels. Of course, all these texts are mainly rendered in Chinese characters. Make tea and burn incense, waiting for your presence Zhu Dake Collection 罕达奇迹书 老王为自己不能有条毫无破绽的裤子而气恼，因为它在他上学时令其困窘。在罕达，所有的女孩儿都嗤嗤地笑，狡黠的眼睛在上面溜来溜去。男孩儿则鬼头鬼脑地拍拍他的臀部，很会意地离去。只有坐在课椅上时老王才心情好转。有一次老王拍拍屁股对他爸大老王说，你看怎么办？他爸眉头一皱说，小兔嵬子，... 小说/诗歌 - Dec 20, 2022 18 min read 神话考古和的“鹰翼之醒” 古老神话中的鹰蛇对抗 鹰与蛇的二元对立，无疑是苏美尔神话的重要母题。在一组美索不达米亚的“埃塔纳”（Etanna）泥板上，记载了鹰蛇之战的诸多细节。 鹰与蛇原本是住在白杨树上的邻居，鹰栖息在树顶而蛇安居于树根，双方都向大日神沙马什发誓，要忠实于彼此的友谊。但鹰却率先背叛自己... 文化批评 - Dec 20, 2022 7 min read 2005，中国的文化牌局 1、三驾马车的话语牌局 2005年，中国大众发出了惊天动地的叫喊。“沉默的大多数”终于结束“沉默”，转而成为中国最大声的群体。这个文化事变，修改了中国话语权力的老式牌局。 关于制度和文化孰是孰非，孰轻孰重的问题，一度是中国知识界讨论的焦点之一。自由主义学者坚持“制度决定论”... - Dec 19, 2022 7 min read 我们需要另一次新文化运动 ——在中国经营论坛上的演讲 演讲时间：2011年7月4日 演讲地点：上海浦东星河湾酒店报告厅 女士们，先生们，谢谢大家这么有耐心听了一天漫长的演讲，主持人的嗓子已经哑了，我也刚打吊瓶回来，所以我很同情他。谢谢大家的耐心。我希望我的发言，是盛宴的最后一道小小的甜点。... - Dec 19, 2022 6 min read 燃烧的迷津 在一个贫瘠的年代里，诗人有什么用呢? ──荷尔德林 A. 边缘的景观 我所面对的文化(无论它是种族的还是世界的)充满着对诗歌的各种误解。诗并不像人们确信的那么重要，它不是什么“种族的触角”，相反，它有时候不过是种族的渲泄物而已，然而正是那种对诗歌的过高估价导致了某个运动的诞... 文学批评 - Dec 19, 2022 31 min read 亚细亚痛苦及其消解模式 绘画中的自我刺瞎和自我流放的俄狄浦斯 上 篇 一　俄狄浦斯和苏格拉底的产业 俯察一个傲慢而四分五裂的欧洲大陆，痛苦之神奔走哀号的遗迹触目皆是，悲痛的火焰的建筑在时间里颤抖，从透明的历史中永恒地现身。这现身之所以永恒，正是基于痛苦之神的有力性。它，或者叫做痛苦本体、痛苦的最高... 中国历史 - Dec 19, 2022 28 min read 信念的诞生 “我的哲学就是对上帝的期待。” ──海德格尔 基　督 耶稣基督是犹太社会的一个奇怪的入侵者，上帝之所以把此人派来，也许因为它绝望于人类，却又不愿制造第二次大洪水让他们完蛋。这点我以后还要深入探讨。耶稣，按幸德秋水的说法，过去可能是一种性隐喻，现在却是神圣绝望的民间煽动者，耶... 中国历史 - Dec 19, 2022 32 min read 新童话：五个丑女孩 我的老家在福建省西南角，被很多很多大山包围着。从前，那里的人要进一次城，或者寄一封信，都需要很长很长时间，因为要在群山里走很长很长的路，遇见很多很多危险。 山里住着一位叫做蓝采和的神仙，是有名的“八仙”之一。他有一位比他更神通广大的妹妹，没人见过她的长相，也不知她叫什么名字... 小说/诗歌 - Dec 19, 2022 4 min read 《文化叙事》自跋：与时间神的和解 本书所收集的，是我1982年以来的大多数文学批评文章，它们在被抹去尘土之后被重新点亮，大致地勾勒出我的文学生命轨迹。为了编订自己的写作年表，我坐在地板上，从阁楼上的书橱里翻检那些早已泛黄的老旧杂志，一股霉变的气味弥漫开来。在昏黄的灯光下，我突然意识到，我曾经是那个“阁楼上的... 思想随笔 - Dec 19, 2022 2 min read 《长生弈》自跋：小说写作就是我的“长生术” 每天晚上，我都要环绕住所附近的无名小湖散步。那里有一块空地，被众多老年舞者所占领。他们身穿白色制服，紧跟流行音乐的节奏，动作规整地舞动每个肢端，就像一些白色的幽灵，漂浮在灯影、建筑物、水汽、雾霾和树丛之间，赋予这世界以古怪的魔幻调性。... 中国历史 - Dec 19, 2022 4 min read Zhu Dake Collection About copyright derivation Audio of Zhu Dake's works, about Ding Qi 鼎：青铜记忆及帝国图腾 Artist Name 00:00 / 26:59 Zhu Dake Image Collection 北京文庙“古事记”研讨会招贴 Click here 朱大可工作室开张 这些来宾大多是我的华师大校友 Click here 朱大可的流行文化作品：铜钱红牛（应上海国际奔牛节组织者之邀） Click here 2009年同济大学人文学院哲学系硕士研究生毕业集体照2 Click here 2007，在深圳“先锋城市论坛”上发言 Click here 2014.10.10在北京《华夏上古神系》研讨会上 谁还认识这些消失的独立知识分子？ Click here 在东华时报担任主编（1995） Click here 2004年主持北京文艺论坛 Click here 在北京文庙与刘索拉对话《古事记》2018_edited_edited.jpg 当年她的“你别无选择”把我惊到了 Click here 在2005年9月悉尼科技大学昆明研讨会上发言.jpg Click here 在悉尼科技大学研讨会上，与前中宣部长朱厚泽合影(2005) Click here 与北村在黄山合影 Click here 在台湾中研院文哲所与杨小滨对话 Click here 陕西卫视“开坛”在秦皇岛开谈 说说大秦帝国是怎么完蛋的 Click here 给《东京新闻》评论委员加藤直人颁发朱大可工作室特聘研究员证书 Click here 在孙大午陪同下参观他的农业养殖王国 这个王国今天已经荡然无存 Click here 在深圳书城《长生弈》签售仪式上与作家杨争光对话 看起来像在吵架 Click here 深圳书城《长生弈》签售仪式现场（2016.8） Click here 在郑州松社书店与黄海碧谈《长生弈》 Click here 在南京先锋书店与叶兆言对话《古事记》 兆言兄语重心长地说：大可，你写小说晚了，没赶上好时代 Click here "老虎奖"颁发现场 马原兄递给我一只布老虎，那是“老虎奖”的标志物兼奖品 Click here 高举布老虎 布老虎的意思，大约是貌似温柔，但仍有吃人的本性 Click here 2017年12月在广州外国语外贸大学 与创意写作专业的师生对话后合影 Click here 在“一本好书”节目录制现场与主持人陈晓楠对话（2018） 忘了在说一本什么书 Click here 在凤凰网“一路书香”节目录制现场与主持人窦文涛、张星月和演员孙茜聊钱钟书的《围城》（2018） 好像在说王安忆的《长恨歌》 Click here 1/31 洗脚之歌 - 10 min read 仙鹤启示录 - 9 min read 鼎：青铜时代的金属记忆 - 13 min read

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. "The Great Pail" Derivative Project This is the author's first full-length novel set in exotic Central America. The "core character" of this book, the Feathered Serpent God, originated in the Yin and Shang Dynasties and was formerly known as "Yinglong". Another "behind-the-scenes figure" worth mentioning is Youhouxi. Three thousand years ago, the king of Youhou in the east led 250,000 survivors to flee to the sea because of his failure to succeed. After arriving in America, the Olmec civilization was established with the worship of Feathered Serpent as the spiritual axis. This novel takes this as the historical background and tells the legendary stories that happened in Central America in the eighteenth century. The Great Yi Story Summary The story takes place in the tropical rainforest of Central America at the end of the 17th century. A mysterious tribe "Tizoke" from "Yindi" on the other side of the ocean has multiplied here for three thousand years and evolved into an independent round city "Tizoke" driven by a perpetual motion machine, commonly known as "Big Barrel". , lingering under the rule of the high priest Hopi. The high priest tampered with the ancient doctrine of Feathered Serpent God, created lies, ignorance and fear, and turned the entire city-state into a solid "siege". With the help of his earthly incarnation, a family that spreads love, through the miracle of birth and death, Feathered Serpent tries to save this lonely city-state that is always spinning on itself, and help it escape the fate of tyranny and destruction. The kind-hearted spiritual guide, Moers, is the earthly son of Feathered Serpent, and has a beautiful family; his son Popoka is a technological genius, keen on making aircraft, and wants to escape from the closed city; his daughter Angie is born with Divinity and magic, was arrested by Hopi for inadvertently "creating visions", and was about to be burned to death as a witch, but she was safe and sound in the fire, showing rare miracles. Hopi then changed her mind and shaped her into a "goddess of death", imprisoned in the temple, and accepted the peeping and worship of the residents, thereby strengthening her rule. Moers tried to rescue his daughter through the vote of the elders. All the elders who supported him were poisoned, and his beloved wife Dana was also murdered in the hospital. The grieving Moers tried to rescue his daughter Angie from the temple, but she was bewitched by Hopi and killed her father by mistake. At this time, the Feathered Serpent God suddenly came and took away the body of Moers in the eyes of all the people. Angie came to his senses, and with the encouragement of his father's old friend, Lao Baozi, he publicly exposed Hopi's crimes to the people. The people were awakened and revolted. "Barrel" restored justice to Feathered Serpent. But the Mole Man family, which manages the underground perpetual motion machine, accepted a mysterious order, abandoned Tizok, and moved to the deepest part of the earth, and the perpetual motion machine stopped rotating ever since. The brothers and sisters Popoca and Angie also bid farewell to their hometown and went to the depths of the rainforest to have children there, avoiding the ultimate fate of the city-state of Tizoc being destroyed by the Spaniards. Reading Sun Hunters The ChangE Story Summary The story takes place in the tropical rainforest of Central America at the end of the 17th century. A mysterious tribe "Tizoke" from "Yindi" on the other side of the ocean has multiplied here for three thousand years and evolved into an independent round city "Tizoke" driven by a perpetual motion machine, commonly known as "Big Barrel". , lingering under the rule of the high priest Hopi. The high priest tampered with the ancient doctrine of Feathered Serpent God, created lies, ignorance and fear, and turned the entire city-state into a solid "siege". With the help of his earthly incarnation, a family that spreads love, through the miracle of birth and death, Feathered Serpent tries to save this lonely city-state that is always spinning on itself, and help it escape the fate of tyranny and destruction. The kind-hearted spiritual guide, Moers, is the earthly son of Feathered Serpent, and has a beautiful family; his son Popoka is a technological genius, keen on making aircraft, and wants to escape from the closed city; his daughter Angie is born with Divinity and magic, was arrested by Hopi for inadvertently "creating visions", and was about to be burned to death as a witch, but she was safe and sound in the fire, showing rare miracles. Hopi then changed her mind and shaped her into a "goddess of death", imprisoned in the temple, and accepted the peeping and worship of the residents, thereby strengthening her rule. Moers tried to rescue his daughter through the vote of the elders. All the elders who supported him were poisoned, and his beloved wife Dana was also murdered in the hospital. The grieving Moers tried to rescue his daughter Angie from the temple, but she was bewitched by Hopi and killed her father by mistake. At this time, the Feathered Serpent God suddenly came and took away the body of Moers in the eyes of all the people. Angie came to his senses, and with the encouragement of his father's old friend, Lao Baozi, he publicly exposed Hopi's crimes to the people. The people were awakened and revolted. "Barrel" restored justice to Feathered Serpent. But the Mole Man family, which manages the underground perpetual motion machine, accepted a mysterious order, abandoned Tizok, and moved to the deepest part of the earth, and the perpetual motion machine stopped rotating ever since. The brothers and sisters Popoca and Angie also bid farewell to their hometown and went to the depths of the rainforest to have children there, avoiding the ultimate fate of the city-state of Tizoc being destroyed by the Spaniards. 阅读奔月者 The Great Pail noun list 【Tizok】 A circular city in the middle of the Central American rainforest sits on a super perpetual motion machine whose outer ring spins like a clock. With hundreds of years of history, it believes in the Feathered Serpent God and is basically isolated from the outside world. 【Feathered snake god】 The main god believed by the Tizoke people, the patron saint of Tizoke City, is in charge of life and birth, and is the spiritual pillar of the residents of the city. 【Perpetual motion machine】 The technological core of Tizok City, the source of its technology is unknown. Managed by the Lorenzo family, its true structure is hidden underground and remains unknown to this day. In 1963, it was ranked first among the "Top Ten Suspenseful Buildings in America" by El Universal, Mexico. 【Guide】 A profession that specializes in soul guidance for the dying is one of the most important spiritual affairs in Tizoke City, because it represents the Feathered Serpent God's care for life. 【High Priest】 The management of Tizok is a structure that combines politics and religion, and the priesthood is responsible for the worship of Feathered Serpent God, as well as the research, interpretation and dissemination of related theology. The high priest is the leader of this group and has supreme power. 【Presbyterian Church】 Consisting of the aristocratic class, it decides the important affairs of Tizok by voting, but its structure is fragile, and it can only survive under the pressure of the priests. Read the full text of Youhuang 4.Wu Gang, the tree feller summary of the story Moon Immortal Wu Gang was originally a Chaoyang priest in the human world (responsible for worshiping the morning sun). Because he was going to Tanggu, the base camp of the sun god, to obtain the solar calendar, he left his wife in the care of the high priest Boling. Unexpectedly, he returned home seven years later with the scriptures. , discovered that Boling had an affair with his wife and had given birth to three boys. Boling not only did not think about apologizing, but instead asked about the whereabouts of the solar calendar. Wu Gang couldn't bear it and hacked Boling to death with an axe, and accidentally killed three children. Boling's grandfather was Emperor Yan, the fire god priest. He was very angry with Wu Gang's behavior and ordered him to be exiled to the desolate moon to cut down laurel trees. On the moon, while Wu Gang was cutting down a tree, he had a strange love affair with the cosmic tree of life. Encouraged by the osmanthus tree, he went down to the underworld with its tears, restored his youth to his aging wife, and resurrected Boling and his three children, completing a miraculous self-salvation. Read the full text of Wu Gang Historical Analysis of Chinese Characters: The origin of Chinese characters in the framework of civilization The Dichotomy of Cultural Anthropology Two British and American old men, Toynbee and Huntington, started the debate on the grand narrative of civilization. This is undoubtedly a deconstruction of human history, which has triggered a new wave of historical standardization. As the elite members of human beings, the intellectuals have declared without shame that they have the powerful ability to draw a line with the humble animal kingdom, that is, they have found the four great signs that distinguish humans from animals. The best-selling author Yuval Noah Harari claimed in "A Brief History of Human Beings" that walking upright, having a larger brain capacity, using fire (becoming the earliest cook in the biological world and the inventor of the dark night culture), and being good at socializing are all important. It is the main scale for human beings to differentiate themselves from the animal kingdom, and it is also the four magic weapons for human beings to climb to the top of the biological chain. Although this classification method is crude and uninnovative, it is enough to satisfy the cognitive hunger of the scientifically illiterate public. This kind of standardized operation can also be repeated in the writing of human history. When people need to name some human historical activities in ancient times, they will use "culture" to name them. For example, historians call the remains of human activities discovered in the Yangshao area "Yangshao Culture". And there are four standards to measure this "culture" - The first is to have pantheistic religious beliefs and have professionals such as priests and wizards; the second is to master a complex language system and be able to use this language to start a dialogue with gods/humans; the third is to have mobility/settlement The gathering villages and houses with vegetation/stone materials; the fourth is the use of stone and pottery tools, stone tools tend to be more detailed, and there is a differentiation of tools and decorative functions, and it is possible to fire wheeled pottery (especially painted pottery), And make it an important commodity in regional trade. After the "culture" continued to move forward, people finally waited for the great thing called "civilization". The lonely fireball on the ground slowly illuminates the wise faces of human beings. Green Daniel proposed three signs to measure civilization. The first is writing, whether it is pure pictographic or pictographic/phonetic double-material writing; the second is the emergence of large-scale cities, even with tall terraces, stairs and city walls. And it can accommodate more than 5,000 residents; the third is the ritual building that forms a system, such as the pyramids of Egypt and Maya; Japanese and Chinese scholars also add a fourth sign, which is the metal manufacturing system marked by bronze casting (mining, smelting and casting technology), this "three plus one" system, has become the basic tableware that people use to taste history. This is actually the three "globalization" processes in the history of early human evolution. In the first stage of "gene seeding period", the great migration from Africa achieved the great goal of Homo sapiens globalization; and in the second stage of "painted pottery seeding period", human beings promoted The wave of globalization of painted pottery. In the third stage of the "bronze seeding period", human beings completed the process of bronze globalization by means of escape and trade. Without these three baptisms of "globalization", the cultural miracle of the "Axial Age" would not have occurred. (Click here to read the full article ) 关于大羿故事的神秘真相

Books written by Zhu Dake including Chinese mythology novels,research on the history of Chinese mythology,cultural studies and culture criticism,and origin of Chinese civilization. Publications : Publications Introduction to the main works Major literary works (Click on the book cover to enter the purchase website) Click on the cover to enter the introduction page Buy second-hand books from Dangdang.com Rogue's Feast ——Discourse Transformation in Contemporary China This book deeply explores the phenomenon of hooligan discourse prevalent in contemporary China. Contemporary China is divided into two societies, one is the state society, and the other is the hooligan society without order, faith, authority and morality. It is based on the 200 million migrants who have left the land and has become an invisible attribute of contemporary China. This book takes identity theory as the logical premise, hooligan discourse as the object, and cool words, color words and obscene words as analytical elements. It unfolds a comprehensive, in-depth and unique interpretation of the hooligan narrative mode that permeates various cultural styles (novels, poetry, art, music and popular culture, etc.), and convincingly reveals the basic characteristics of hooligan discourse. It is refreshing to read. It is a major breakthrough in hooligan studies and a rare achievement in discourse research in the Chinese ideological circle in recent years. Harvard-Yenching Institute scholars comment on "The Feast of Rogues" 亚洲周刊报道流氓的盛宴 The lonely majority Loneliness is to maintain spiritual independence. "The Lonely Majority" is a collection of reflections on contemporary Chinese culture by Mr. Zhu Dake, a famous cultural scholar. The topics include culture, literature, film, architecture, history, geography and many other aspects. With the social conscience of a public intellectual, Mr. Zhu tells the story of the spiritual loneliness of individuals and the times under the changing times, the "worldly loneliness" of the loss of faith and trust, the "discourse loneliness" of being the only one awake while everyone else is drunk, and the "cultural loneliness" of seeking spiritual refuge in the prosperous times... He often reveals his concern for the entire human culture in his writing, and thus creates the image of cultural loneliness: loneliness is also a ladder to climb to civilization. Click to buy Click to buy Zhu Dake's Collected Works (Volumes 5) Cultural Anxiety ——Zhu Dake's Watch Book Series The Cultural Anxiety Zhu Dake Watchbook Series includes five books, Mythology, Judgment, Utopia, Prophet, and Time. It is presented to readers in the form of a set because it can more comprehensively and completely reflect Zhu Dake's language style and critical perspective. Cultural criticism was introduced from the West, so many Chinese scholars, when using literary criticism or cultural criticism, analyze problems almost entirely from a Western perspective, completely divorced from China's reality. Zhu Dake's cultural criticism and cultural deconstruction retain the Chinese perspective. From his cultural criticism, we can see that he has a deep memory and feeling of Chinese history. Do you know how brilliant our civilization is? It is so brilliant that it still impresses the world today. Do you know when we entered an era of ignorance? Through history, we can still feel the panic, fear and pain of Han Dynasty intellectuals. Zhu Dake never hesitates to use his precise language to decipher obscure metaphors, nor does he hesitate to use his sharp thoughts to cut off the pretense of exaggeration and affectation. The city made up of buildings and every ray of light in the city are ultimately a series of cultural symbols. The unique descriptions of historical artifacts such as jade, swords, bronze tripods, ancient mirrors, tea, porcelain, and silk are profound in thought and elegant in language. They are interpreted from a cultural perspective and have become popular masterpieces. During the "literary boom" of the 1980s and 1990s, various schools competed with each other, and poets and writers competed to show their personalities and talents on the stage of the times. As a witness and participant of that period, Zhu Dake has accumulated rich materials and profound thoughts. (Excerpt from the book's introduction) Chinese Mythology and the Origin of Qin and Han Thoughts Ancient Chinese God System "Ancient Chinese Gods" explores the origin of ancient Chinese culture and mythology in a unique way, and discovers and proves that ancient religions/myths all over the world originated in Africa. ", proposing that the institutional prototype of the Qin Empire came from Persia, etc., revealing that China's pre-Qin mythology is the crystallization of the "Asian spiritual community". The author believes that a high degree of openness, learning from others' strengths, and then achieving transcendence and completing originality are the great characteristics of the Chinese cultural spirit and the main reason why it stands on the top of world civilization. These viewpoints subvert the academic views since the late Qing Dynasty, and provide insightful enlightenment for understanding the openness of Chinese culture, inheriting local historical traditions, and promoting the future revival of Chinese culture. They can be regarded as a major achievement of Chinese academics since 1949. . (Excerpt from the introduction to the book) Explanation: The book has recently been encircled by the Cultural Revolution. The paperback version has been removed from Dangdang.com, but the hardcover version is still available for sale. Selected reading: "The Ancient Chinese God System" Chapter 7 Section 2 生命树的十乌密码 点击封面进入介绍页面 Note: This book has been subjected to a Cultural Revolution-style suppression campaign in recent years, and both the paperback and hardcover editions have been removed from the shelves. Buy second-hand books from Dangdang.com 点击封面进入介绍页面 Click to buy History of Ancient Chinese Mythology Chinese Mythology Code This book sorts out the Chinese mythology system from five aspects: exploring the secrets of "Classic of Mountains and Seas", leaders of the gods in ancient times, gods in daily life, myths of animals, plants and artifacts, Buddhist myths and folk legends. It also discovers the hidden connection between Chinese and foreign myths behind the names of gods, and examines Chinese mythology in a global context. At the same time, this book also interprets the historical facts behind the myths, such as Cangjie's creation of characters may reflect the huge Chinese character construction system, and Chang'e's flight to the moon may be an immigration to cope with the survival crisis. (Excerpt from the book introduction) 中国神话密码 Book friends recommend and interpret "The Code of Chinese Mythology" Cultural wormhole ——Quotations from Zhu Dake "Cultural Wormhole: Zhu Dake's Quotations" involves topics such as poetics, literature, discourse, beauty, body, and desire. It starts with analyzing the poems of Qu Yuan, Milton, Tao Yuanming, Du Fu, Li Bai, Li He, Su Shi, and others, and expounds on the views on classical poetics; starting with the phenomena or ideologies in the poetry world such as the "1980s" poetry movement, modern avant-garde poetry, pioneer poetry, Today School, and Misty Poetry, it analyzes modern poetics in depth; from the examination of the cultural connotations of classical literature such as pre-Qin literature, Sanyan Erpai, "The Romance of the West Chamber", and "The Peony Pavilion", it removes the "deified" coat and restores its most authentic form... "Cultural Wormhole: Zhu Dake's Quotations" involves literature, poetics, history, philosophy, sociology, etc., looking at the phenomena and views that people have become accustomed to from different perspectives, which is thought-provoking and thought-provoking. (Excerpt from the book's introduction) Zhu Dake's Quotations Click to buy To play, press and hold the enter key. To stop, release the enter key. 洗脚之歌 - Aug 26, 2022 10 min read 仙鹤启示录 - Aug 26, 2022 9 min read 鼎：青铜时代的金属记忆 - Aug 26, 2022 13 min read

The living room of the owner of this website | 成为会员并与大可先生本人发生联系 Contact: Contact Need me something? Please ring the bell! I am a cultural Puritan, and I am a staunch defender of freedom of thought. All my pain and joy is due to this Zhu Dake WeChat ID/Video ID About Copyright Derivatives dakezhu@hotmail.com GET IN TOUCH Subscribe to our articles, you will have a unique harvest my e-mail subscription Thank you for subscribing

Zhu dake's non-major works,including cutural studies and cultual criticism | 朱大可的其他书籍，如所主编的年鉴、教材、自选集和被书商盗版印刷的图书，等等 Other works of Zhu Dake burning maze 点击封面进入介绍/阅读页面 This book is Zhu Dake's first anthology, published by Xuelin Publishing House in 1992. It collects Zhu Dake's early pioneer texts on poetry, novels and culture. A keyword used by critics to describe the schizophrenia of New Age literature. Due to the limited printing quantity, the book was marked with a high price on the second-hand book website and became a treasure in the hands of second-hand book collectors. Noisy Times ——on the scene of words and beliefs This book is the second anthology of Zhu Dake, published by Xuelin Publishing House of Hunan Literature and Art Publishing House in 1998. The important anthology of Dake's relatively mature period is also a model of "Zhu Yu", a rare and important document in the "reform and opening up period", and its value will last forever. This book was published by Fujian People's Publishing House in October 2002. It is part of the Fujian Scholars Series. The printing volume is very small, and it has not been marketed on the Internet sales platform and physical bookstores. However, this book collects the most important literary criticism articles of Zhu Dake in half his life, which is an important witness of "literature in the new era" and "literature in the post-new era", showing the enduring charm of metaphorical criticism. Criticism students and researchers provide important value guides and are themselves important documents in the history of literary criticism. Humanistic narrative ——Selected Literary Papers of Zhu Dake Selected Works of Zhu Dake's Comments ——The Third Dongdangzi Poetry Award Collection This book is a collection of Zhu Dake's poetry criticism, which collects all Zhu Dake's important works on poetry. It is edited and printed, not a formal publication, and strictly underground. All the works in this article show the distinctive features of Zhu's metaphor criticism, and are important academic references for poetry researchers. Other Collected Works of Zhu Dake 1992-2005 A Map of Chinese Culture in the 21st Century Volume 1-7 "Cultural Map of China in the 21st Century" (edited by Zhu Dake/Zhang Hong) is a "national style" biennale of cultural achievements in mainland China, which includes the essence of annual cultural criticism, popular keywords and their interpretations, cultural Chronology of events and many other sections. The editorial position is more inclined to folk and free individuals, breaking through the traditional yearbook format, showing a more open and forward-looking state, closely tracking the evolution and future trends of Chinese culture, and is a major cultural "collection" memorandum other than the official yearbook. As its name suggests, it will become a precise map for people to inspect the status quo of Chinese culture, helping readers find out the latest cultural development track and achievements from it, and it will be a guide book and precious archive for readers to engage in cultural study, research, criticism and exploration. With a cultural map in hand, the current Chinese cultural landscape can be seen at a glance. Overview of Chinese Culture Chinese Cultural Map of the 21st Century in Japanese Volume 1-7 Compiled by Daisuke Takaya Aki Chipō cultural criticism _D04A07D8-9CD1-3239-9149-20813D6C673B_Theory of Cultural Philosophy and practice (College Cultural Studies Professional Textbook) This book is the first theory of cultural criticism in Chinese academic circles, presided over by Zhu Dake, and collectively compiled by the Institute of Cultural Criticism of Tongji University. This book describes the basic status quo of contemporary Chinese culture. The whole book involves the cultural logic of contemporary China, cultural production, dissemination and consumption, generation and interpretation of cultural symbols, mythology and cultural ideology, identity, power and cultural identity, body and gender, Artifact culture and lifestyle, spatial politics and cultural geography, time and memory, sensory culture and other topics comprehensively expound the main positions, viewpoints and methods of Western and local cultural criticism, providing cultural workers with powerful thinking and analysis tools. 点击封面进入演讲/课程页面 Other MiscellaneoUs Books 洗脚之歌 - Aug 26, 2022 10 min read 仙鹤启示录 - Aug 26, 2022 9 min read 鼎：青铜时代的金属记忆 - Aug 26, 2022 13 min read

To provide relevant information for the study of Zhu Dake | 朱大可研究，包括他的学术简介、关于他的报道和评论等 朱大可研究 朱大可研究 朱大可研究 朱大可研究 Academic Profile This section is a brief summary of Zhu Dake's academic history. In the form of a brief introduction, Zhu Dake's education, occupation, academic part-time job, social role-playing, achievements and influence in academic and creative fields, as well as his multiple academic transformations. Open Sesame Reported by Zhu Dake This section collects a small number of news reports and special interviews about Zhu Dake, not only showing Zhu Dake’s influence on the cultural field, but also through interviews and dialogues, to understand Zhu Dake’s secret thoughts outside of writing, and those Thought constitutes Zhu's background. Open Sesame Comment Zhu Dake This section selects some comments about Zhu Dake. Commentators observe and comment on Zhu Dake from different angles at different times, just like watching an evolving life. The standards of these comments vary, but they all have their own characteristics, which can provide researchers with reference ideas. Open Sesame Historical Archives This section collects some events and documents related to Zhu Dake, which can be interesting circumstantial evidence of that era that has passed. Open Sesame Research Institute This section lists Zhu Dake's research projects and related research institutions that have been established or are being established, and provide researchers with the necessary academic map. open sesame 洗脚之歌 - Aug 26, 2022 10 min read 仙鹤启示录 - Aug 26, 2022 9 min read 鼎：青铜时代的金属记忆 - Aug 26, 2022 13 min read

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. Contemporary Cultural Criticism This block recommends reading representative texts of Zhu Dake's contemporary cultural criticism Catalog of this page 1. Sweet Journey——On the Phenomenon of Yu Qiuyu 2. The half-length narrative of China in the zero age 3. National rhetoric and literature of traumatic memory 4. Literature: The Battle of the Century between Chinese and Arithmetic 5. An Incomparably Difficult Apology——Reflection on the 50th Anniversary of the Cultural Revolution 6. Colonial Lu Xun and the Rise of the Politics of Hate 7.1985-2005: The history of Chinese culture acting like a baby 8. Age of Zero: The Big Talk Revolution and the Revival of Petty Bourgeoisie 9. The Burning Maze——Memorandum of Pioneer Poetry 10. The Gate of the Prophet——The Outline of Haizi and Luo Yihe 11. Allegory of Death: Death Images in Gu Cheng's Poems 12. The Velvet Trials and the End of Nobelism sweet trip ——On Yu Qiuyu Phenomenon read see more see more see more China in the 1900s half body narrative see more see more see more read National Rhetoric and Literature traumatic memory read Literature: Language and Numeracy Battle of the Century read An extremely difficult apology—— Reflecting on the 50th Anniversary of the Cultural Revolution read colonial lu xun and The Rise of the Politics of Hate read 1985-2005: History of Chinese culture acting like a baby read Age Zero: The Big Talk Revolution revival with petty bourgeoisie read Burning Maze-- Memorandum of Chinese Avant-Garde Poetry read The Prophet's Gate— Haizi and Luo Yihe Discussion read The parable of death— Death Imagery in Gu Cheng's Poetry read velvet trial and The End of Nobelism read 关于谢晋电影争鸣事件，请点击这里

Some of Zhu Dake's short stories and essays Introduction to the main works Fiction/essay writing 点击封面进入介绍/阅读页面 out of stock Essays and short stories Red book of memory This book is a collection of most of the author's poetry, prose, essays and novels over the past 20 years, some of which can be called masterpieces of modern Chinese. The author's deep insights into history and reality are woven into the brilliant and hard style, forming a unique narrative-interpretation style. The pictures in the book are also an extension of metaphorical writing, which not only meet the visual needs of the picture-reading era, but also imply intriguing cultural codes. (from the introduction to the book) Exotic Legend Novel Great Pail 仓颉家族秘史 The story takes place in the tropical rainforest of Central America at the end of the 17th century. A mysterious tribe "Tizoke" from "Yindi" on the other side of the ocean has multiplied here for three thousand years and evolved into an independent round city "Tizoke" driven by a perpetual motion machine, commonly known as "Big Barrel". , lingering under the rule of the high priest Hopi. The high priest tampered with the ancient doctrine of Feathered Serpent God, created lies, ignorance and fear, and turned the entire city-state into a solid "siege". With the help of his earthly incarnation, a loving family, through the miracle of birth and death, Feathered Serpent tries to save this lonely city-state revolving itself from tyranny and destruction... Sichuan Literature and Art Publishing House will launch it at the end of 2022, please read it 点击封面进入介绍/阅读页面 Click to buy 点击封面进入介绍/阅读页面 Click to buy Big Barrel Audio/Himalaya Radio Exotic Legend Novel Great Pail The story takes place in the tropical rainforest of Central America at the end of the 17th century. A mysterious tribe "Tizoke" from "Yindi" on the other side of the ocean has multiplied here for three thousand years and evolved into an independent round city "Tizoke" driven by a perpetual motion machine, commonly known as "Big Barrel". , lingering under the rule of the high priest Hopi. The high priest tampered with the ancient doctrine of Feathered Serpent God, created lies, ignorance and fear, and turned the entire city-state into a solid "siege". With the help of his earthly incarnation, a loving family, through the miracle of birth and death, Feathered Serpent tries to save this lonely city-state revolving itself from tyranny and destruction... Sichuan Literature and Art Publishing House will launch it at the end of 2022, please read it Great Pail was included in the Asia Weekly Top Ten Novels List Mythical novels about Cangjie’s creation of characters Chronicle of Qingqiu This is a mythical epic about Cangjie creating civilization with Chinese characters. Under the enlightenment of Fuxi, Cangjie invented Chinese characters and created a great Chinese civilization based on them. But the dark energy hidden in the character itself is gradually revealed. Cangjie's female disciple Jusong, because of love and hatred, challenges Cangjie's kingdom on behalf of the evil forces, and the new civilization is facing a catastrophe. How will Cangjie face this crisis? After he was murdered by Jushang, how will his son Jiagen inherit his father's career, turn the tide, and save the precarious world? This novel takes the legend of Cangjie's creation of characters as the theme, uses the "trilogy" as the frame structure, and uses the usual metaphorical style of "Zhu Yu" to describe the strange situation of the birth of civilization. The whole book is magnificent, the plot is ups and downs, and the imagination is magnificent Fantasy, the characters are ready to appear, showing an epic picture like "Lord of the Rings". It is also a fascinating "A Brief History of Chinese Characters". It not only reinterprets Chinese mythology and history, but also provides a new narrative path for Chinese literature. 本书即将完稿，敬请期待 Click to buy 点击封面进入介绍/阅读页面 Click to buy Chronicle of Ancient Matters (A Collection of Novella Mythical Novels) Cangjie's creation of characters, Li A's protective mirror, and Zheng He's gift of Lin, three historical legends that no one knows, and three new interpretations of fantasy stories. The passionate exploration of historians, the rigorous investigation of archaeologists, and the magnificent imagination of writers. Zhu Dake, with his magic pen, covered the classic stories of Cang Jie's creation of characters, Li A's goggles, and Zheng He's voyages to the West with a layer of magic and beauty. The invention of Chinese characters hides the secret of people's hearts. Li Ah's magic mirror has the effect of stealing dreams, and the unicorn brought back by Zheng He's voyage to the West witnessed the grievances and grievances in the deep palace of the Ming Dynasty. This is the flower of literature watered by the three archeology and history together. collection of historical romances Six Different Records "Six Different Records" is composed of six independent stories that reflect each other. At the moment when desire consumption is prevalent, the author Zhu Dake returns to the source of traditional oriental culture, and uses the "six senses" of the senses—eyes, ears, nose, tongue, body, and mind—as the framework to write various stories driven by the senses. A story of human desire: In the bag, a dilapidated wolf fur hides the most hidden secret of the illusionist's life; at the funeral, whether the Weeping Singer cries not only determines her own life and death, but also affects the fate of the entire kingdom The political situation; under the moonlight, the proud character maker shed tears and cursed every night, she couldn't hear the mournful cry of the character soul... Desires grow and shatter, bringing strong sensory impact and pleasure as well as endless pain and anxiety. Zhu Da can stimulate his strange imagination and dramatically combine the ups and downs of the storyline with six Chinese folk mysterious arts - illusion, mourning, incense, poison testing, phrasing and character creation. Created a coquettish and gorgeous text fable. Light the fire of desire with literal witchcraft 点击封面进入介绍/阅读页面 Click to buy 点击封面进入介绍/阅读页面 Click to buy collection of historical romances Longevity Game This book is the author's first historical/magic-themed full-length novel. The work borrows the body of traditional local martial arts novels, injects dual elements of mythology and history in the form of chronicle and linear narrative, and expresses philosophical thinking about human life and death. A writing experiment of a genre novel reflects the author's efforts to seek the integration of public desire and pure literary value. Go to the novel reading page Publications : Publications

Zhu Dake's articles(mythological studies,cultural studies and cultural criticism) and novels | 朱大可的全部作品，包括文化研究和文化批评，神话研究和神话小说 朱大可作品总集 朱大可作品总集 朱大可作品总集 朱大可作品总集 Article collection This section collects most of Zhu Dake's articles. These articles were collected in different anthologies, and now they are re-uploaded according to different types and become independent electronic documents for interested readers to read and study. Open Sesame Major Literary Works This section briefly introduces several representative works of Zhu Dake, including monographs, anthologies and novels, which are the spiritual texts provided by the author for this ruined world. Open Sesame Other literary works This section briefly introduces works other than "main works", which are no less important. Among them, "The Burning Maze" is Zhu Dake's first anthology, and it is also a landmark text formed by "Zhu language". For most "Zhu fans", it is of great significance. Open Sesame fiction essay This section briefly introduces Zhu Dake's novels and essays, among which "The Big Barrel" is the latest novel, and "The Red Book of Memory", which collects essays and short experimental stories, is another model of "Zhu Yu". Open Sesame Selected Readings of Contemporary Cultural Criticism This section recommends Zhu Dake's representative texts on contemporary cultural criticism. "The Rascal's Feast" is the most representative and influential one among them, and it is also an important model of contemporary Chinese cultural criticism. Open Sesame Selected Readings of Classical Cultural Criticism This section recommends Zhu Dake’s representative texts on classical cultural criticism, including new interpretations on Qu Yuan and Liang Zhu, and psychoanalysis on ancient artifacts (swords, tripods, jade, etc.), the most representative of which is " The Psychoanalysis of the Hooligan. Open Sesame Selected short stories This section briefly introduces Zhu Dake's short stories, some of which are early pioneer experimental novels, represented by "Apocalypse of Cranes", and the other part are works created and published this year, represented by "Six Different Records" . Open Sesame Selected Readings of Novellas and Novels This section contains several fragments of Zhu Dake's novels and novels, from which you can "get a glimpse of the leopard" to appreciate the unique style of Zhu's novels. In view of the declining overall ecology of literature, his achievements have not yet been properly evaluated in the field of contemporary Chinese literature. Open Sesame Lectures and Courses This section collects some PPTs of Zhu Dake’s lectures/speeches in schools and around the world in the past 10 years. These texts are displayed publicly for the first time, presenting Zhu Dake’s systematic views on some important topics, and providing a basis for the study of contemporary China. interesting reference text. Open Sesame studio works This section presents the collective creative achievements of Zhu Dake's studio, including original children's works such as "Youth Gluttony", and the early literary experimental works - Mystery Topobang novel series. Among them, "Youth Gluttony" is well received by readers. Warmly praised, its influence is still fermenting. Open Sesame 洗脚之歌 - Aug 26, 2022 10 min read 仙鹤启示录 - Aug 26, 2022 9 min read 鼎：青铜时代的金属记忆 - Aug 26, 2022 13 min read

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. 我的作品集 歡迎來到我的作品集。您可在此看到我的精選工作成果。歡迎探索，深入了解我所做的事。

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. Qilin derivative project This is the most historical part of the Kojiki trilogy. It is composed of the perspectives of two male and female kirins, showing the strange role played by mythical beasts in Chinese court politics. The emotions between the eunuch Zheng He and the translator Ma Huan, and between Ma Huan and the singing girl, unfold in an ambiguous way. The combination of castration, palace fighting, great maritime discoveries, shipboard adventures and other elements makes the story full of curiosity and historical irony... 前往古事记简介 Qilin Story Summary This story is based on a true historical event. It tells the story of Zheng He, a eunuch from the Ming Dynasty in China, who led a fleet on a voyage to Kenya in Africa, brought with him rare and precious animals such as giraffes and lions, overcame various dangers at sea, and successfully returned to his homeland. This novel is divided into two parts, A and B, each narrated by two giraffes. In Part A, the male giraffe "Qi" tells the story of Zheng He's maritime adventures, while in Part B, the female giraffe "Lin" tells the story of Emperor Zhu Di and his court struggles in the Forbidden City. This synopsis mainly introduces Part A. Qi was hunted by the Maasai on the prairie and then sent to Zheng He's ship, where it started a long and dangerous sea adventure with lions, zebras, wildebeests and ostriches. It met the leader of the fleet, Zheng He, the translator Ma Huan, and many African envoys, kabuki and sailors going to China. Zheng He was obsessed with Qi's appearance and would come to visit it every day and feed it personally. But then the voyage ran into trouble. First, a storm suddenly hit, causing chaos among the animals on board. Then there was a plague, many sailors fell ill and died, and Zheng He lost his beloved adopted son Xiaobao. To make matters worse, "Qi" refused to eat because he didn't like wet hay. Fortunately, Ma Huan fed it with bean cakes and solved the crisis. The voyage returned to normal, and the ship began to stop at various ports, exchanging porcelain, silk and tea for gems, spices and precious wood. The translator Ma Huan fell in love with the singing girl Fengli, but Fengli did not respond. The Persian woman on the ship flirted with Zheng He, but Zheng He, as a eunuch, could only laugh it off. Qi knew that he only liked Ma Huan in his heart. Then, a new disaster suddenly struck, and many animals died strangely. The usually ferocious lion Abi also lost his majesty. The police on the ship found the sailors who poisoned and executed the criminals. Then, the envoys were jealous of Fengli and split into different factions, and a fierce fight broke out. Zheng He reprimanded Fengli on the spot and wanted to drive her off the ship. Fortunately, Ma Huan pleaded for her and she was pardoned. Qi had basically adapted to life at sea. The great voyage began to reach its climax as the fleet approached the South Asian islands. In Sumatra, the fleet encountered an unexpected rebellion. The rebels surrounded the royal city, but with the help of Zheng He's sailors, the king's army turned the tide. In the revelry, Ma Huan met Fengli in her gorgeous dress and could not help but praise her beauty. Zheng He was very annoyed and ordered the execution of this woman who "disturbed the morale of the army." Fengli jumped off the boat and disappeared into the depths of the sea. An irreparable rift appeared between Ma Huan and Zheng He. After the fleet returned to China, Emperor Zhu Di held a grand ceremony to welcome the giraffe, which was regarded as the "Qilin". They symbolized the country's good fortune. Along with the Qilin, there were also diplomatic envoys from all over the world who came to pay homage. The appearance of the tall giraffe in the capital caused a strong shock, and tens of thousands of people came to watch, just like a festival. Ma Huan and Zheng He also reached a reconciliation. Ma Huan soon found the woman he loved, while Zheng He left the bustling capital alone and disappeared in the misty drizzle. After a long separation, Qi and Lin were finally reunited. They gave birth to three baby giraffes, lived in the palace garden for decades, escaped a poisoning, and finally died peacefully. They were secretly buried in the emperor's tomb. Read the Qilin segment Background information of Qilin Large-scale documentary "Zheng He" (100 minutes in two parts), written by Zhu Dake, produced and broadcasted by Hong Kong Sunshine TV; A 30-minute compressed version of the film was broadcast by the Ministry of Foreign Affairs of the People's Republic of China to guests and the public in embassies and consulates around the world in July 2005 to commemorate the 600th anniversary of Zheng He's voyages to the West; The History Channel under A&E in the United States broadcast the English version of the film in prime time worldwide in 2006; The film was nominated for an Emmy Award in 2006; The first documentary about China in the collection of the Library of Congress; This film has important reference value for the production of films on Zheng He's theme. Document Zheng He: The first person to discover the American continent? (No.1) Document Zheng He: The first person to discover the American continent? (No.2) Document (News) Documentary Zheng He enters mainstream channels in the United States Chinatown: The core legacy of eunuch Zheng He Document Document Three specimens of power aesthetics ——Power narratives at both ends of China’s authoritarian history Location To read the complete script of the documentary "Zheng He", please visit this page Zhenghe 大型纪录片《郑和》 点击进入

Great pail was selected into Aisa Weekly's 2022 Top Ten Novles List | 长篇小说大桶入选亚洲周刊2022年度十大小说榜 返回小说随笔著作 《大桶》 关于民族的悲剧性寓言 喜马拉雅电台隆重推出：刘则言主演声音剧《大桶》 前往版权衍生项目 前往小说阅读页面 Asia Weekly Top 10 Novels of 2022 Asia Weekly's 2022 Top Ten Global Chinese Novels have been announced, and writers from Taiwan, Taiwan, Taiwan and Malaysia have been selected, and Ma Boyong's novel "The Great Doctor" topped the list. Mainland Chinese writers Yan Zhen, Lin Bai, Wang Bang, Lin Chao, Zhu Dake, Taiwanese writers Luo Yijun, Huang Shanliao, Hong Kong writer Ge Liang, and Malaysian writer Gong Wanhui are on the list. When the epidemic is raging, reflect the spirit of the times from a literary perspective, and use the power of words to redeem the struggle and pain in the real world. "Great Pail" selected comments The strange relationship between America and China during the Yin and Shang Dynasties has spread from the bold imagination of the academic circle to the world described by the writers. However, as a mythologist and cultural critic, Zhu Dake's speculative ability and theoretical construction have perfectly combined academic rigor and literary imagination, bringing fables and mythology and humanistic depth to the text. "Great Pail" revolves around a circular city "Tizok" in the tropical rainforest of Central America at the end of the seventeenth century. The mysterious tribe from "Yindi" has multiplied here for three thousand years, and evolved an independent world driven by a perpetual motion machine. city of. With the aid of his earthly incarnation, Feathered Serpent seeks to save the lonely, self-spinning city-state from tyranny and destruction. Zhu Dake endowed "god" with "humanity", spread the narrative from the late eighteenth century to the 1980s, and controlled a story of twists and turns with a grand narrative structure. The mythological narrative landscape similar to "Game of Thrones" was praised by the writer Bei Cun as "a unique text in Chinese novels". Asia Weekly report link Introduction to Asia Weekly Top Ten Novel List Headquartered in Hong Kong, "Asia Weekly" is a sister publication of Ming Pao. It is good at global in-depth news reports. The Chinese-language list selected by the magazine is divided into top ten fiction and non-fiction. It is announced every January. It is the most important annual list of good books in the Chinese-speaking region of the world. It has been widely praised for its cross-regional influence and credibility. Wang Anyi, Liao Yiwu, Zhang Yihe, Long Yingtai, Mo Yan, Yan Lianke, Su Tong, Yu Hua, Liu Zhenyun, Hong Ying and other writers all have works on the list. 大桶读者分享会 成都文轩BOOKS高新店 时间：2023年10月20日 参与分享的嘉宾：四川大学文学与新闻学院教授邱晓林、小说家宁航一、四川大学文学与新闻学院助研、耶鲁大学文学博士周迪灏。 新闻报道 红星新闻：朱大可新书《大桶》：希望把古代神话与现代人的想象融为一体 华人头条：朱大可作品《大桶》入选“2022年度十大小说榜” 封面新闻：当中国神话与世界科幻交织 文学将会散发怎样的文本气质？ B站视频：朱大可著小说《大桶》｜李川李不川创作插画 搜狐网：2022年11月文艺联合书单：朱大可《大桶》入列 中国出版商报：2022年第四季度影响力书单文学类《大桶》入列 晶报书评：灾变时代需要语言承载理想之邦（方向真） 大桶插画，作者：李川李不川 作者自跋 这是我耗时最长的一部小说。从2014年3月构思和起笔，到2022年元旦结稿，历时8年之久，每一次拿起，都因不甚满意而放下，最终差一点忘了它的存在，直到这次在纽约避疫，经朋友提醒，才从数码硬盘里把它找回，发现它还有一些可取之处，于是又花了数月时间，对原稿加以推敲、修改和增补，总算完成了这桩延宕过久的工作。另一个戏剧性的因素在于，在北美东岸的居住，让我得以接近想象中的中美洲“提佐克”时空，并重建我跟众多小说人物的灵魂关联。这种地缘性“采气”，给小说带来了重新生长的契机。 本书的“核心人物”——羽蛇神，起源于殷商时代，旧称“应龙”，也即一种长有鹰鸷式巨翅的神龙，曾在炎黄大战传说中扮演重要角色。另一个值得一提的“幕后人物”是攸侯喜，该名字最早出自殷商卜辞（见于郭沫若《甲骨文合集》和《卜辞通篡》等），显然是历史中的真实人物。19世纪以来，英美学者先后提出，距今三千年以前，东部攸国的国王喜因勤王未果，率领二十五万遗民出海逃亡，他的目标最初也许是东瀛，也就是今天的日本，却因受到太平洋风暴影响而偏离航线，稀里糊涂地到了美洲，结果以羽蛇神崇拜为精神轴心，创建了奥尔梅克文明。尽管在国际主流学界中，此说始终是微弱的声响，但它还是成了我从事虚构性写作的灵感来源。 我试图放弃坚硬的中国人的叙事主体，以一种更高远的视角，去观察和书写印第安人生活，赋予它全新的时空架构。死亡与重生，是这部小说的唯一主题。在某种意义上，它不仅是一部民族寓言，更是关于时间的寓言。无论提佐克人是否属于殷人后裔，它都将承担起历史的重负，并注定要被未来的岁月清洗，成为泥版、莎草纸、简牍、棉纸和数码记忆体上的陈旧符号。 2013年，我完成了长达62万字的《华夏上古神系》，在经过漫长的考据之后，开始对那种学究式的思维，感到了深深的厌倦。我试图借助小说写作来释放灵魂。这部小说可以算是一次未曾预谋的自我反叛，从此我踏上了背离“学术”的危险道路。我在文学创作的钢丝上行走，摇摇欲坠。此后，我又写了《长生弈》《古事记》《青丘纪事》《塔玛拉之月》和《少年饕餮（续集）》。所有这些书写都源于本书，它是我神话小说叙事的开端，是故事沙漏中流出的第一粒沙子。然后，在一个垃圾喧嚣的时代，它是如此的无足轻重，甚至比沙子本身更轻。 就在八年后的此刻，我在键盘上为它敲上了最后一个句号，终结了这场有史以来最“冗长”的单个文本写作。在寓所外面，病毒的暴风雪正在肆虐，据昨晚传来的消息称，全美单日感染者达到一百一十七万人，突破了世界疾病史的最高记录。病毒就这样嚣张地征服了人类。诚如某位捷克作家所言，无论我们多么努力，人类所面对的，只能是那种“生命中无法承受之轻”而已。 我必须承认，我被这种恐怖的景象彻底吓到了。面对着这场遍及全球的纳米级微生物的浩劫，还有因政治动乱和气候变暖而引发的诸多灾变，许多人陷入了严重的精神失调。忧郁症正在跟瘟疫并肩作战，击溃人类的信念防线。也许我们的唯一出路，就是笨拙地运用书写魔法，召回被反复丢弃的语言乌托邦。我要在此郑重其事地告诉读者，本书不是一个文字玩笑，而是策划了八年的灵魂逃生计划。无论它多么幼稚可笑，跟“元宇宙”的虚拟幻境相去甚远，仍然是我珍爱的方舟、桃花源和梦中天堂。 窗外，世界正在下它的最后一场大雪。 2022年1月24日记于纽约长岛 书名：大桶 出版社：四川文艺出版社 出版日期：2022年10月 出品人：张庆宁 责任编辑：周轶 返回小说随笔著作

Online warehouse and exhibition hall of Zhu Dake's works， Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. about him Selected Readings of Short Stories The Long Stories This block publishes the full text of some of Zhu Dake's short stories for readers of literature Catalog of this page 1. Sweet Journey——On the Phenomenon of Yu Qiuyu 2. The half-length narrative of China in the zero age 3. National rhetoric and literature of traumatic memory 4. Literature: The Battle of the Century between Chinese and Arithmetic 5. An Incomparably Difficult Apology——Reflection on the 50th Anniversary of the Cultural Revolution 6. Colonial Lu Xun and the Rise of the Politics of Hate 7.1985-2005: The history of Chinese culture acting like a baby 8. Age of Zero: The Big Talk Revolution and the Revival of Petty Bourgeoisie 9. The Burning Maze——Memorandum of Pioneer Poetry 10. The Gate of the Prophet——The Outline of Haizi and Luo Yihe 11. Allegory of Death: Death Images in Gu Cheng's Poems 12. The Velvet Trials and the End of Nobelism Book Before the Thunderstorm Based on the story of Lei Feng, this novel describes a soldier's passionate love for the "female people" who are "served" because of his Oedipus complex... read see more see more see more Bronze Mirror see more see more see more This novel is one of the author's early experimental novels. It was first published in the Australian "Zhili Express" and later included in the "Red Book of Memory". It is the first time to involve the myth of ancient Chinese artifacts... read Apocalypse of Cranes This novel is an experiment of the author using the biblical style of writing, which reflects the achievements of the author's early theological writing in the field of novels, and is also an outstanding representative of the author's early novels. Included in "The Red Book of Memory". read Handa Miracle Book This novel was originally called "The Road to Handa". It was drafted by the "Writer" magazine in 1989 with the same title. You Ge Fei, Song Lin, Bei Cun and Zhu Dake participated in the writing of the same title. It is used to tell a personal story. Utopian story. The plan was not implemented because of the political upheaval that occurred in the middle of the year, but the novel was written. After years of sleeping in a drawer, it was included in the "Red Book of Memory" published in 2007. read Ark Lament This novel is collected in "The Red Book of Memory", which is inspired by a real poetic action plan. Although this plan could not be implemented due to official obstruction, many of its ideas have become the important material of this novel... read Father of the Nest This is the first historical novel written by the author. In the political dilemma formed after 1989, it hints at a possible spiritual outlet for intellectuals. It was later included in the "Red Book of Memory". read Fragrant Taoist This novel is one of "Six Different Records". Fragrant Taoism originated from the Persian/Indian cultural community and formed a unique industry in China. This novel attempts to combine elements such as the Tao of Fragrance, the Legend of the Five Immortals, and the Legend of the White Snake to describe the love legend of the "strange hermaphrodite" in the form of a novel... read Funeral Weeping Division This novel is an article in "Six Strange Records", which tells the legend of the most mysterious "murderer" in the ancient Chinese funeral industry. The novel is set in the state of Zhu during the Warring States period, because it is the historical source of the author's surname "Zhu". read Funeral Weeping Division This novel is an article in "Six Strange Records", which tells the legend of the most mysterious "murderer" in the ancient Chinese funeral industry. The novel is set in the state of Zhu during the Warring States period, because it is the historical source of the author's surname "Zhu". read Bone Fortune Teller This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read Bone Fortune Teller This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read You Huang This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read Bone Fortune Teller This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read You Huang This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read Bone Fortune Teller This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read Bone Fortune Teller This book combines the elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor was in decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. 大型纪录片《郑和》 朱大可在阳光卫视担任总撰稿期间，参与策划并主持了大型系列纪录片《百年婚恋》的制作，并为大型纪录片精品《郑和》撰写脚本，后者由著名的美国 “A&E”电视网络历史频道播出，长达两个小时，赢得西方观众的广泛好评，是最早走进西方主流媒体的中国纪录片之一。朱大可的脚本摒弃违反历史真相的官方主题“和平外交”，注重表达郑和作为阉人的独特人性，肯定他战胜身体残疾而征服海洋的信念，并揭示了皇帝朱棣为巩固篡位而获得的权力、不惜成本大兴“形象工程”的政治动机，为此后的中国文献纪录片，提供了一个富有启示的样本。 大型电视纪录片《郑和》进入美国主流频道 时间：2005年07月06日11:06　来源：东方早报 日前，阳光文化媒体集团与美国A&E电视网络正式签约，该公司制作的大型电视历史纪录片《郑和》进入A&E下属全球历史频道播出，此举意味着由中国本土原创的纪录片精品真正走入了西方主流媒体的平台。 今年是郑和下西洋600周年，完成于两年前的这部大型电视历史纪录片得到了海内外电视传媒机构的广泛垂青。该片拍摄前后长达一年半，投资上百万元，片长96分钟，分上下两集。脚本由著名文化学者朱大可撰写，其中融入了中国思想界和国内外史学界的最新研究成果；摄制组先后参与了两次国际性的郑和研讨会，专门数次前往美国和英国，采访了多位研究郑和的国际著名专家学者；在云南、南京等所有郑和当年留下遗址和遗迹的地方进行实地采访，仅在国内的行程就长达两万多公里，又沿着郑和当年的航线一路追踪，记录了郑和在东南亚诸国以及东部非洲可能留下的各种历史证据。据本片导演石头介绍，片中几乎每一个画面都要经过合成软件进行校色，其中许多抠像、道具都是一帧帧精密缝合出来的。 该片撰稿朱大可介绍，《郑和》着重表现了对郑和人性的挖掘，包括他内心孤独的展现，对宗教的膜拜及对妈祖的敬仰。值得一提的是，《郑和》首次向世人展示了一个企图以中华帝国为核心建立全球朝拜体系的明朝皇帝朱棣的动人面貌，他的不切实际的政治狂想在短暂实现后，迅速化成了历史的泡影，使得中国在郑和航海的壮举后迅速滑向闭关锁国的桎梏中。 担任《郑和》总监制的杨澜表示，郑和的贡献不仅是代表600年前中国的开放精神，更象征了人类探索海洋的大无畏精神。此前海外的受众包括一些知识分子，他们对航海史的了解只限于哥伦布、麦哲伦等西方探险家，所以制作方在创意初始便有一种冲动，就是让更多的人了解郑和，了解中国，《郑和》的观众应该是世界性的。另外，郑和在中国历史上既是一个英雄式的人物，也是一个传奇性的人物。在他所处的兵荒马乱、家破人亡的境况，尤其在被阄割、身心受到摧残的情况下，能够演绎出战胜自然的悲壮故事。所以本片并不是拿他当个英雄，而是当个男人来讲述他的故事，这样处理更加真实可信。另据了解，《郑和》一片也将在国内发行。（记者 涂一慧） 原文链接：大型纪录片《郑和》进入美国主流频道 朱大可撰写：《郑和》（上下）脚本 关于 A&E 电视网络 A&E，之前的全名是艺术与娱乐网络，是一家美国有线和卫星电视网络，也是赫斯特传播公司和华特迪士尼公司迪士尼娱乐业务部门的合资企业。该电视台于 1984 年 2 月 1 日开播，专注于美术、纪录片、戏剧和教育娱乐。如今，它主要经营非虚构节目，包括现实纪实肥皂剧、真实犯罪、纪录片和迷你剧。截至 2023 年 11 月，A&E 在美国约有 63,000,000 个付费电视家庭可以收看，低于 2011 年 1 亿个家庭的峰值。该频道的美国版在加拿大发行，而国际版则在澳大利亚、拉丁美洲和欧洲 推出。历史频道专注于历史、社会/科学纪录片以及新闻，截至 2023 年 11 月，美国约有 63,000,000 个付费电视家庭可以观看历史频道。历史频道的国际本地化版本以各种形式在印度、加拿大、欧洲、澳大利亚、中东、非洲、亚洲和拉丁美洲提供。 ABOUT HISTORY ® CHANNEL The highest-ranked reality entertainment television brand according to EquiTrend® Stock Ratings in the 2021 Harris Poll, HISTORY ® Channel, a division of A+E Networks, is the premier destination for historical storytelling. From top-notch documentary events, to signature programming from industry-leading nonfiction series and premium fact-based scripted programming, the HISTORY® Channel is the most trusted source of infotainment in media. HISTORY ® Channel has been named the top television network in the United States by YouGov BrandIndex for seven consecutive years and the most popular television network by Beta Research Corporation. Title: Six Strange Records Publisher: CITIC/Dafang Publishing Group (Shanghai, China) Publication date: September 2022 Editors: Ren Liu, Xu Yunyun, etc.

Excerpts from Chinese mythology and historical novels by Zhu Dake. As a Chinese novelist,all fiction writing is based on Zhu Dake's research the history of Chinese mythology and Chinese culture The Long Stories Excerpts from Novels This section publishes excerpts from Zhu Dake’s novels and novels, for readers of novels and myths to browse Changshengyi This book combines elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret art of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor's decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read Great Pail Audio/Himalaya Radio GREAT PAIL see more see more see more In the depths of the tropical rain forest in the 17th century, there is a circular city named "Tizoke", which is isolated from the world and controlled by a mysterious perpetual motion machine. , Believe in the great feathered snake god (ie "Yinglong"). The high priest Hopi tampered with the ancient teachings of Feathered Serpent, creating lies, ignorance and fear. The benevolent spiritual guide, Moers, is the earthly son of the Feathered Serpent God, and has a beautiful family. His son Popoka is a technological genius who wants to escape from the closed city with the help of an aircraft, and his daughter Angie was arrested for "creating visions". Hopi was arrested and tried to be burned as a witch, but she survived the fire. Hopi shaped her into a "goddess of death", imprisoned her in the temple, and accepted the worship of residents to strengthen her rule. However, her father's death made her wake up, and she publicly exposed Hopi's crimes to the people, and the people were awakened and raised. And resist. Tizok restores justice to Quetzalcoatl. Popoka and Anji, brothers and sisters, bid farewell to their hometown and went to the depths of the rainforest, where they gave birth to children and avoided the ultimate destruction of the city-state of Tizok. read character see more see more see more This is a mythical epic about Cangjie creating civilization with Chinese characters. Under the inspiration of Fuxi, Cangjie invented Chinese characters and created a great Chinese civilization based on them. But the dark energy hidden in the character itself is gradually revealed. Cangjie's female disciple Jusong, because of love and hatred, challenges Cangjie's kingdom on behalf of the evil forces, and the new civilization is facing a catastrophe. How will Cangjie face this crisis? After he was murdered by Jushang, how will his son Jiagen inherit his father's career, turn the tide, and save the precarious world? Reading Chinese characters Mirror Shi Kuang, a musician of the state of Jin, imitated the Yellow Emperor and cast twelve mirrors. The Dou family inherited this extraordinary skill, and Dou Shaoqing is the master of the family who can make magic mirrors. The holder of the magic mirror can freely travel through the mirror and master the cosmic secrets of space transformation. This angered the emperor who monopolized the manufacturing right of the magic mirror, and a chase ensued. In order to prevent and chase, Dou Shaoqing built the mirror-casting workshop on a large ship, where he lived without a fixed place, and the dragon could not see its tail, which made all the mirror catchers helpless. The princess Su E steals the magic mirror and escapes from the palace, wishing to pass through the magic mirror and escape to the ideal utopian space, and the mirror guard Li A becomes the warrior to protect her safe return. On the small island called "Peach Blossom Island", Dou Shaoqing set up a "mirror array" and waited for the killer who came to arrest them. read Kirin In this novel, the protagonist's husband "Qi" and wife "Lin" narrate their "travel experience" at sea and in the court from their respective perspectives, including the sufferings of the eunuchs and colleagues, as well as the emperor and his concubines. The palace carnival of the concubines. The word split between "Qi" and "Lin" began with a capture in the wilderness of East Africa, and it was recombined in the East Asian palace. This is actually a mandarin duck-style polyphonic structure, with two independent experience subjects paralleling, intersecting, echoing, contrasting, and intertextual, and intertwined into a community-style coda. In my novel, "unicorn" is a secret reflection of the structure of the novel (Zhu Dake's words). read Changshengyi This book combines elements of martial arts, history and mythology, and describes the thrilling journey of Confucius' grandfather Bo Xia in the name of the king to explore the secret art of immortality—— At the beginning of the Eastern Zhou Dynasty, the king's way was not prosperous, and the emperor's decline; the feudal lords continued to dispute, and they all had the heart to win the championship. The god of the underworld, Yan Mo, ordered Zhou Xiang Wang Jizheng to create chaos in the world to fill the emptiness of the underworld. Chunshen Jumang used chess as a game to save Ji Zheng's ten-year lifespan. Bo Xia, the priest of the God of Spring, was ordered by the King of Zhou to search for the "immortal" Peng Zu, but was forced to face an insidious opponent, and a fierce battle was inevitable. Why do you want to find the way to longevity, but open the door to the underworld? read

The collective works of Zhu Dake's studio about chinese mythological novels and storis | 朱大可工作室的集体作品 Zhu Dake's studio main members Chief Writer: Ke Xinger Planner: Wang Shengjie Planning and writing: Zhang Ji Team group portrait Wang Tianjiao, whose pen name is Chu Xing'er, is a master of arts from Tongji University, a cutting-edge children's literature writer, and the core creator of Zhu Dake Studio. He has participated in the creation of "Mytopia" series projects, "Chinese Mythology and Stories Collection", "Chinese Folk Tales Collection", etc. He is good at fantasy themes and is committed to creating good original Chinese stories. His personal works have been published in magazines such as "October Juvenile Literature" and "Golden Boy", and have won children's literature awards such as "Little October Literature Award". Wang Shengjie, male, young scholar, Doctor of Philosophy of Tongji University, planned by Zhu Dake Studio. Under the tutelage of Professor Zhu Dake, he focuses on cultural history, cultural studies, cultural sociology and cultural philosophy. Main planned works: Juvenile Taotie (Season 1), "The Treasure of Kublai Khan", etc. The papers "The Expulsion and Reconstruction of Alchemy in the History of Science" and "Knowledge, Power and Identity: The History of Anti-Superstition in the "Science and Metaphysics Controversy"" were published by the CSSCI Philosophy Class A Journal "Research on Dialectics of Nature". Zhang Ji, playwright, literary planner, film and television screenwriter, graduated from Shanghai Academy School of Drama Directing, his works involve small theaters and big movies, and participate in the development of games and animation. For many years, he has received cruel training in "literary alchemy" in Zhu Dake's studio. He is good at mythological (fantasy) themes and urban suspense/criminal investigation themes. He has participated in the planning of "Youth Gluttony" and "Kublai Khan's Treasure"; "The Melting Pot", "The Fourth Front" and "The Mountain and the River Are Safe"; the main creator of "Bad People", "Weird Man" and "Yasha"; the game world setting "Witch Song". Jiazi, Zhuyu, Chen Di, Zhu Yanran, Wang Tianjiao, Liu Junhe, etc. Children's Works of Zhu Dake Studio Click to buy Zhu Dake's New Myth Series·Young Gluttony (5 volumes in total) A fantasy adventure with "mixed flavors" is given to every growing teenager. The new mythical story created by Zhu Dake, a well-known scholar based on rigorous folklore research, is a unique literary work based on traditional culture, which has received numerous praises. The creator of the picture book, Ma Penghaochun, hand-painted exquisite illustrations, which are visually stunning and exquisitely conceived, constructing a childlike and unique taste world for children. Recommended by Zhu Yongxin, Wang Zhigeng, Yu Shicun, Cai Chaoyang, Yang Lihui, Ermao and Subei. Produced by Dandelion Children's Bookstore. Young gluttonous first season 30-episode drama is brewing The second season of Juvenile Glutton is expected to be published in May 2023 Young gluttonous first season 30-episode drama is brewing Young gluttonous first season 30-episode drama is brewing Collection of Chinese Folk Tales A collection of Chinese folk tales (ingeniously interpreting 20 classic folk tales, a number of illustrators polish exclusive illustrations one by one, suitable for parents and children to read together, and bring children a unique experience of traditional Chinese culture). Carefully researching ancient literature and classics, selecting classic selections, and reinterpreting folk tales in lively modern Chinese. Produced by fruit and wheat. Click to buy Click to buy Collection of Chinese Myths and Stories A collection of Chinese myths and stories (a new member of "Growing Up with You", mythologist Zhu Dake carefully selects and drafts, 50 classic myths and stories are newly written, and more than ten professional illustrators polish exclusive illustrations one by one) with many references and comparisons Based on various ancient documents and relevant research results, select storylines suitable for children to read, and reinterpret them in concise and vivid modern Chinese, with a more uniform language style and story length; it is suitable for parents and children to read together, and relive the childhood dreams of ancient China. Produced by fruit and wheat. Collection of Chinese Folk Tales A collection of Chinese folk tales (ingeniously interpreting 20 classic folk tales, a number of illustrators polish exclusive illustrations one by one, suitable for parents and children to read together, and bring children a unique experience of traditional Chinese culture). Carefully researching ancient literature and classics, selecting classic selections, and reinterpreting folk tales in lively modern Chinese. Produced by fruit and wheat. Click to buy Click to buy Collection of Chinese Folk Tales A collection of Chinese folk tales (ingeniously interpreting 20 classic folk tales, a number of illustrators polish exclusive illustrations one by one, suitable for parents and children to read together, and bring children a unique experience of traditional Chinese culture). Carefully researching ancient literature and classics, selecting classic selections, and reinterpreting folk tales in lively modern Chinese. Produced by fruit and wheat. Genre Fiction Lab Works "Mystery Tuobang" novel series Eastern Publishing House grandly launched in July 2016 谜拓邦小说北京研讨会纪要 references Zhu Dake: Mythological Archeology and "Awakening of Eagle Wings" Cultural pioneers: "mytopia" and "one man's renaissance" Nanfang Daily: A "mytopia" born for "genre literature" China Art News: Open up a new atmosphere of Chinese genre novels Zhu Dake Cultural Creativity (Shanghai) Studio old appearance)

Fragment of longevity game by Zhu Dake back to homepage Excerpts from Zhu Dake's Novels Changshengyi Chapter 1 Gamble Luoyi, the capital of the Zhou Dynasty The fourteenth year of King Zhou Xiang (638 BC) holy dream In early spring, the setting sun slanted on the face of Zhou Xiangwang Ji Zheng, illuminating his wrinkles and white hair. The chill in the royal garden was very deep, and the remaining lotus and fallen leaves in the pond had not yet shown their vitality. The palace slaves added charcoal stoves around them to build a small warm wall for the king. Ji Zheng put his arms around the young queen Shu Kui, tasted the goji sauce wine tribute from the Shu land, and said some boring love words. Suddenly, at his feet, he saw a dead blue-gray bird with its belly turned to the sky and its tiny claws curled up on its chest, like some kind of eerie omen. At this time, a gust of evil wind blew over the cup on the wine table, and the crimson wine flowed all over the floor. The sky quickly dimmed. A bright moon rose above the pond in the middle of the garden. Ji Zheng saw a large silk-brocade mat rimmed on the surface of the water. piece. The giant Yan Mo, who is in charge of death, is wearing a purple robe, with long nails on his paws, wide cuffs, and holding a skeleton scepter. He appears on one side of the chess table, while on the other side stands a young man in white, He holds a sugarcane bow in his hand, and in the quiver on his back is a short arrow made of roses, which is the spring god Jumang that is in charge of life. They sat down separately and played chess as if no one else was there. A certain book called "The Edict of Carmomy" recorded the most famous life-and-death gamble in the God Realm in the most concise words. It claims that the bet is divided into three games, the first game is betting on the life of the king, the second game is betting on the life of Peng Zu, and the third game is betting on the life of all living beings. But Ji Zheng didn't know about it. All he knew was that around the mat, everything stopped, the pool water, the leaves, the birds, and the wind were all frozen in time, and Ji Zheng's own limbs also lost power. His eyes were focused on the chess game, and he couldn't even hear the beating of his pulse. He felt himself dead. After an unknown amount of time, Yama pushed the pawn away, like unlocking the lock of time. At this time, Gou Mang pierced his claw with a tiny flower thorn. He didn't realize that a small drop of blood appeared in the center of his paw. He got up and walked in front of Ji Zheng, and whispered in a hoarse voice: "In the chess game just now, Chunshen Jumang lost your life. You will die in ten years, and your throne will be taken away by others , your queen will become someone else's woman, and death will be the only fate of your family." After finishing speaking, she disappeared in a gust of wind, and the Jumang, mat and chess case also disappeared without a trace. Ji Zheng suddenly woke up from the frozen state, not knowing whether this was a dream or a real scene. Yama is the legendary god of the underworld, and his appearance means death. Is this a premonition of death? The king was pale with fright and dripping with sweat. The queen coquettishly said in a half-drunk state, "My lord, what's the matter with you?" Ji Zheng didn't bother to answer, and hurriedly pulled the bell, calling for his personal guard Chang Zhongbiao, and ordered him to quickly summon the imperial divinator. Youhuang, the gray-haired hexagram master, rushed into the palace. The maid waited for him to bathe and cleanse himself, put on the black dress specially used for court priests, knelt in front of the lacquer table, and performed calculations with the freshly picked yarrow, with a respectful and dignified expression. He took one hexagram as "Zhen", and the fourth line turned into a thunderstorm, which is an auspicious omen that there is no danger. You Huang explained that the God of Hades would change his mind halfway and would not hold the king accountable. But "shock" is a tree, and it is an image of Jumang. If you want to get rid of the crisis, you must turn to the God of Spring for help. Another tortoise divination master of the Yin tribe who came from Zhouyuan repeatedly burned a piece of tortoise shell with fire, and carefully examined the cracks in the sunlight. He reported with a sad face that there were three cracks on the tortoise plate, and the middle line represented the emperor. , the left and right lines respectively represent the God of Spring and the God of Underworld. Among them, the pattern of the underworld god invades the emperor pattern, thick and powerful, like lightning, while the emperor pattern evades to the right and merges into the pattern of the spring god. The two patterns merge into one pattern, which is a sign of being protected by the spring god. The fortune-teller stood back and whispered to the king that as long as he followed the direction of the crack, that is, looked east, he could find the "undead medicine" he needed. The tortoise divination master further explained that as long as he has the "undead medicine", the god of the underworld will give up his life; but if he wants to obtain the undead medicine, he must send someone to find the "undead person", because only he has this kind of god. medicine. After hearing this, Ji Zheng felt that Longyan was overjoyed, and immediately decided to hold a large-scale Spring God Ceremony to pray for the grace of Jumang. At the same time, he ordered the warriors in the palace to be recruited to explore. Anyone who can bring back the "undead medicine" will be rewarded with land. and titles. Fortunately, he still has ten years to live, so he has enough time to reform his destiny. Ji Zheng's call-up order quickly spread throughout the court, but no one responded because everyone thought it was nonsense. The matter has been put on hold. The queen said disapprovingly, "Your Majesty, you shouldn't believe in the hexagram master's nonsense. There is no medicine for immortality in the world. My brother said that people are always going to die. Either it is heavier than Mount Tai, or lighter than the red cat." "You are too young to understand the value of life. With it, the widow can defeat you in bed, and defeat those greedy relatives." The king said arrogantly. Uncle Kai, dressed in military uniform, twitched his lips covered in lipstick, turned his head and walked out of the room, and went hunting on horseback with his younger uncle Ji. spring festival The king's capital was called Luoyi. In the time of King Zhou Xiang, it was the largest city in the East, comparable to Nineveh in Assyria, Heliopolis in Egypt, and Susa in Elam. Ji Zheng is not a talented king. After taking over the power from his father, he found that this is a kingdom full of holes. Its territory has been carved up by those powerful relatives and has become fragmented, while the central government is shrinking day by day. He has been in power for a long time, and he has always dealt with the princes carefully, and the rest of the time can only be spent on matters such as drinking and having fun. At that time, Zhou Gongdan issued an edict prohibiting alcohol in view of the fact that the Yin merchants died of alcohol, and Zhou people were not allowed to drink alcohol except for sacrifices. This prohibition governed Zhou people for four hundred years. But in the late empire, the old system was abolished, and the wind of drinking came back, becoming the main entertainment of the royal family. Ji Zheng personally advocated and mobilized the people of the whole country to get drunk in the wine together. The winemaking industry developed rapidly in this way, and the wolfberry sauce wine produced in Sichuan, made of crutches as raw material, became the most favorite drink of the royal family because of its attractive and indulgent fruity aroma. In order to resist the threat of the underworld god Yama, Ji Zheng issued an imperial decree to turn "long live" into a carnival of words. As long as the bell and drum to announce the time in the palace ring, the people in the palace will shout "Long live", the officials in front of the hall will follow suit, the attendants in the hall will follow suit, and the guards outside the gate will also shout. It is even more necessary to shout at the same time, so that the whole Luoyi will resound with the cry of "long live". Ji Zheng got the satisfaction of "immortality" in this huge sound. Even he himself did not expect that after more than two thousand years of training, this word has been used very skillfully by his people. That day, when the sun was shining on the streets of Luoyi, Bo Xia, the doctor of the Song Dynasty, was walking full of thoughts, when he heard the sound of long live, he had to stop walking with the passers-by, and shouted "Long live", feeling a little ridiculous in his heart. This king, because of his fear of the god of the underworld and his greed for longevity, actually invented this kind of word game. The empire, which is in danger, is full of joyful dramas everywhere. Passing by a tailor shop, the passionate female seamstress shouted at him, "Long live the doctor!" Several young women on the road turned their heads and smiled at him. Bo Xia placed his right hand on his left chest, bowed to pay respects, but did not stop. He is the Priest of the God of Spring in the Song Dynasty, and he is just a passer-by in Luoyi. Last year, he single-handedly saved the Song Xianggong Zifu from the encirclement of the Chu army's chariots, and sent him back to the Songyi Palace to recuperate. This feat was so widely celebrated that no one knew about it. Ji Zheng happened to be short of talented people around him. Hearing the news, he sent someone to comfort Zifu, and asked him for Bo Xia by the way. Bo Xia had no choice but to follow the envoy to the capital and become Ji Zheng's personal staff. One of the big things he has to do now is the upcoming Jumang Worship Ceremony. Uncle Chunguan was seriously ill, and Ji Zheng ordered him to act on his behalf. He needs to prepare three animal sacrifices, arrange spring plowing performances, and places for the king and ministers to salute and sit. Fortunately, he used to be the officiant of the Song Dynasty, so he is no stranger to this complicated ceremony. He took the wooden tablet with the king's decree, walked through seven yamen, found the officials in charge, assigned the tasks carefully, and arranged them in an orderly manner. By noon, he had completed all the layouts and walked briskly towards Miyagi. The north wind is still steep, and the people have not let go of the sorrows of winter, but Bo Xia is changing the scenery of the seasons. Wherever he went, the willow branches danced lightly above his head, and the willow trees began to sprout, bursting out the thin green leaves, like rice grains. Bo Xia stopped, stretched out his hand to caress the willow branch on the side of the road, and felt it laughing happily. Bo Xia said "Hello" in his heart language, and the willow tree shook its branches and leaves to salute him, just like a woman shaking her long hair. Bo Xia's palm just held the tentacles of Chunshen. In the days of "Lichun", Luoyi began to become bustling, and nobles from the city, princes from all over the country or their representatives came to the city one after another. They gathered in the palace, then went out of the city and meandered eastward, and arrived at the round hill eight miles away, to worship the great spring god Jumang, and pray to him for a good harvest throughout the year and the prosperity of the country and the people. Although the empire has become weaker and weaker after the Haojing Rebellion, the countryside is waking up from the severe winter, and the breath of life emerges from the cracks in the land. Bo Xia can even see those weak air currents rising slowly like steam , lingering over the fields, bringing a new round of hope to all living beings in the world. Ji Zheng came to Yuanqiu in a chariot with eight horses. It was the king's private drive. He led the crowd into the Jumang Temple, faced the tall statue of Jumang, took off the crown after the Dazai placed the jade table, and presented jade cong, jade bi and jade huang, three animals of cattle, sheep and pigs, as well as jade coins and wine Jue, and then quietly listened to the high priest Yan Lu recite the lengthy sacrificial oration. The sunlight coming in from the gap in the carved window illuminated the white wings spread out behind him. Ji Zheng looked up and saw that the square face of the statue of Jumang was always wearing a smile with unknown meaning. After the ceremony, all the officials came to the steps in front of the temple together, sat on the pre-laid brocade cushions, and waited to watch the cattle farming performance planned by Boxia. Ji Zheng shut Yan Lu out of the door, left alone in the temple, and started a secret negotiation with God Jumang. He first greeted the great god as a king, then praised the holy site of Jumang with moving words, and then began a lengthy prayer, complaining about the threat of the god of the underworld, begging for the protection of the god of life, and claiming that if he can escape To go to death, one hundred Jumang temples will be built all over the country to repay the grace of the great god. This pleading took more than half an hour, but Gou Mang never showed up. Ji Zheng was very disappointed and began to cry, heartbroken for his short life. At this time, with tears in his eyes, he saw God Jumang take off the square mask, revealing the original shape of the boy in white. He stepped down from the throne, holding a sugarcane bow in his hand, frowning. "As a king, don't you know why the underworld god wants to take your life?" "I once dreamed that the Great God played chess with the Underworld God, and the Underworld God said that you lost." "He needs a lot of dead people to fill because of the emptiness of Hades, and your death can cause chaos, war and mass death. I tried to stop him by playing chess, but it didn't work. I lost two games out of three. For this reason, I can only protect your life for ten years. You must find a way to live longer by yourself." The temple became silent again, and the statue remained motionless, as if everything just now was an illusion. Ji Zheng waited for a while to see that the great god would not have any more rewards, so he had to put on the tall crown again, walked out of the temple with a sad face, and returned to the dragon mat with soft seats. The crown swayed gently on his forehead, and on it stood a housefly that had woken up early and hung with each other. As soon as his buttocks sat on the dragon couch, the bells and drums rang deafeningly. Twenty-four buffaloes representing the twenty-four solar terms, and a shepherd boy in green clothes and green hats on his back, take the first step of spring plowing under the whip of the farmer. The copper plow penetrated deeply into the soil, and the fertile black soil was turned over in large chunks, exposing the dry roots of the millet, and the earthworms and centipedes were squirming in panic. The Royal Orchestra played the solemn ancient music "Cloud Gate". At that time, the bells and chimes rang together, and the sound of drums spread to the distant mountains shrouded in clouds and mists. The courtiers waved their long sleeves and danced lightly. Their smiles and postures attracted the attention of the officials. Then, the court chorus in red robes sang a solemn and distant eulogy—— "In a good year, there are many millets and rice crops, and there are also high farms, trillions, and donkeys. They serve wine and wine, and give them to their ancestors. With a hundred rituals, they will bring blessings to Confucius." Ji Dai, the younger brother who was sitting next to Ji Zheng, wore a jade crown inlaid with lapis lazuli, a lake-blue dress with golden threads, and a yellow cotton robe to prevent freezing. While watching the performance, he followed the audience around Senior officials and nobles discussed loudly, talking and laughing happily. "I heard that Goumang is not only in charge of farming, but also the god of love, responsible for all sexual matters in the world. I hope that today's sacrifice can benefit the king and all the nobles." Ji Dai tapped the charcoal fire hand stove with his fingers, with ambiguous words He said with a smile, as if the Great God was his retainer. All the officials let out an echoing laugh. Ji Zheng didn't seem to care about his younger brother's arrogance. He called Bo Xia to his side and said, "You did a good job in this year's ceremony. I want to reward you with a pair of rhino horn luminous cups." Bo Xia said: "Thanks to the grace of the Holy One, I am truly ashamed of receiving it. The only thing I want to ask is the case of the elixir. I am willing to serve the king and make a special trip to the east to find out its whereabouts as soon as possible. " Ji Zhengxi was overjoyed, and a smile appeared on his sad face: "If you complete this mission for the widow, the widow will give you a large fief and give you the title of viscount." Ji Dai looked at Bo Xia with a half-smile and said, "Hehe, the journey here is difficult and dangerous, the doctor should be careful, be careful that if you go and never return, you will not be able to recover the king's order." Bo Xia looked at Ji Dai in surprise, all kinds of doubts and conjectures welling up in his heart. As Ji Zheng's half-brother, the conflict between them has long been known to everyone. In order to seize the throne, Ji Dai once bribed the Xirong army to attack Luoyang, but failed, and the rebellion plot was exposed, so he had to flee to Qi State in embarrassment, and took refuge in the power of Duke Qi, temporarily avoiding the limelight under his wings. Four years ago, under the pressure of his stepmother Huihou, Ji Zheng was forced to pardon Ji Dai and allow him to return to Beijing to live. Ji Dai wept bitterly and apologized to her father and brother, saying that she would never reverse the case. Ji Zheng softened his heart for a moment and allowed him to walk around in the court at will, making him once again the second most powerful person after the king. Now, his hostility spanned several feet, piercing his skin like a sharp needle, making Bo Xia shudder. He couldn't find out what it was all about. He knew that he didn't make this decision to please Ji Zheng, nor did he intend to challenge Ji Dai, he just wanted to use this to save the Grand Duke Zifu of the Song Dynasty. This outstanding political leader was wounded on the battlefield and was dying. It was said that only the elixir of life could save him. The Zhou Kingdom is in decline, and Zifu is the only hope to save the kingdom. But he carefully concealed this secret intention. Dong Xun In the early morning of Bingzi Day in mid-spring, Bo Xia led a mission of 20 people, carrying generous gifts from the king, set off from Luoyi, facing the rising sun, and headed towards Song State. The entire convoy consisted of six carriages, the first of which was Bo Xia's own sedan chair, pulled by three horses, which was the standard equipment for imperial doctors. There are four attendants on the second car, and the third car is used to load royal gifts-a pair of bronze statues of mythical beasts, a set of eight bronze tripods from large to small, twelve sets of colored lacquer tableware from Chu State, thirty-six horses Shu brocade, the fourth to sixth are escort chariots, each with three warriors, namely the driver, the archer and the spearman. When Bo Xia left the city, the fiery red morning glow reflected the palace and city walls, and all the trees stood upright in the wind, shaking their branches to greet him. Peonies are in full bloom on street corners and beside wells. The earth dog looking for food in the garbage dump bowed its head humbly. The people who got up early were watching quietly on the street. They looked blankly, watching the cavalry with the king's flag fluttering, strolling through the east gate, and the rising sun was shining on their bodies. harem Bo Xia didn't notice it at all, just two miles behind him, another horse team followed them like a ghost, like a mysterious shadow clinging to the entity. It was the troops sent by Ji Dai, led by Queen Shu Kai's elder brother Zhai You, and Ji Dai herself was walking quickly into Shu Kai's inner room at this moment. The maids closed the door behind him. He undressed and climbed into the young queen's low painted bed. This is Ji Dai's thirteenth tryst. At that time, Ji Zheng summoned the army of Di State to attack Zheng State and took Zheng State’s Licheng for him. In order to repay the support of Di State and make this support last for a long time, Ji Zheng married Di Shukai, the daughter of Bo Di who was only eighteen years old. The queen, just because of the old husband and young wife, has very different ages and tastes. Zhai Shukai was born in a nomadic tribe in the north, and he loved riding and shooting field hunting, while Ji Zheng was old and not familiar with equestrian skills, so he had to ask Ji Dai to accompany him. The young and handsome Ji Dai seizes this opportunity to have an affair with Kai Shi, and the two quickly fall in love. A few years later, when Ji Dai was arrested by the Jin army, he would still recall the wonderful moment of falling in love with Shu Kai at first sight. That day, she was wearing a black dustproof gauze, a narrow-sleeved blouse, and a golden chain mail on the outside. A green jade ribbon was tied around her waist. She also had a quiver studded with gemstones. carved bow. The civil and military officials of the Manchu Dynasty were astonished. King Ji Zheng looked at his wife in military uniform with a smile, showing a happy expression. Ji Dai also stared at her intently, stretched out two salty hands from her eyes, and stroked her body back and forth. Shu Kai suggested: "Riding a horse is worse than driving a cart. All the maids I marry like to ride a horse." Ji Zheng then shouted: "Wait." He turned to all the officials and said, "Who is better at riding a horse and can protect my queen?" Ji Dai said: "My equestrian skills are not bad, let me do it." Shu Kai looked at this heroic uncle, and his heart beat with admiration. The servants surrounded Shu Kai and ran in front. Ji Dai was riding a BMW and also quickly chased after them. The two spurred their horses, and started a race, leaving everyone else far behind. As soon as he turned a mountainside, Shu Kai reined in the reins, looked back and smiled: "I have admired the prince's appearance and talent for a long time, and it is my honor to meet you today." Ji Dai stared at Shu Kai intently: "This king is just a countryman, and his appearance and talent are not one-ten-thousandth of the Queen's." Shu Kai's expression was flustered: "Will you enter the palace tomorrow morning to greet the Queen Mother? I, I, I have something to tell you in detail." As soon as she finished speaking, the maids rushed over on horseback. They were very worried that the queen's riding skills were limited, and what would happen. Shu Kai immediately stopped talking and looked at each other affectionately. They both knew each other, turned their horses' heads, and galloped in completely different directions. With the whining of horn horns, the royal hunt officially kicked off. On the second day, Ji brought in greetings to the king, thanked the prey rewarded yesterday, and then moved to the queen mother's palace to visit her mother. After exchanging greetings with Huihou for a while, he excused himself to say goodbye. At this moment, Zhai Shukai was already waiting anxiously in the corridor. She bribed the maids around her with money, and they hid out of sight knowingly. Ji Dai hugged Shu Kai and passionately kissed him. Shu Kai hurriedly stroked Ji Dai's chest, and leaned into his ear and said, "Master, wait, let's go to the room over there." So they stepped on the soft lambskin, crossed the promenade with various symbols painted on both sides, turned seven or eight corners, entered a dimly lit small room, and bolted the door from the inside. Shu Kai soon let out a scream, mixed with Ji Dai's dull hum, the crackling of bodies colliding, and the noise of a woman's hands slapping the wooden bed. The ladies of the court eavesdropped in fear not far away. In the depths of the imperial palace, the sound was like a breeze, passing over the ears of eavesdroppers, golden nanmu columns and carved doors, and hiding insidiously in the cracks in the blue brick floor. Ji Zheng is currently inspecting the country of Chen. Shu Kai lied that he had menstruation and did not go with the king. A beautiful and lazy woman eagerly awaits her lover in her bedroom. Her black bun is loose, and her snow-like skin is like white jade, exuding the unique sexy brilliance of Turkic and Mongolian women. Ji Dai put her nose on her chest, greedily inhaling her body odor, which was the ecstasy of skin and perfume, while the queen enjoyed the touch of this strong man. His black body hair and tattoos on his arms made her fascinated. Short of breath, they quickly reached the expected climax. After the matter was over, Ji Dai kissed the queen's neck lightly and said, "Your brother should have left by now, right?" Shu Kai giggled and said, "Brother is already on his way this morning. He is a good hunting dog and will keep an eye on Bo Xia." "This throne should belong to me, but Ji Zheng took it away and forced me to go into exile in Qi State. I would rather die than die." Ji Dai said with full of resentment, "If it wasn't for the step forward of my mother, I would still be living under the fence." "This incompetent old thing actually wants to use the 'undead medicine' to live forever, he really can figure it out." Ji Dai had a worried look on his face: "That Boxia is not someone to wait for. I have heard many rumors about him. I am afraid it will be difficult to stop what he is going to do." Shu Kai comforted and said: "Don't worry, my brother has practiced soul washing in Xirong for ten years, and he can't find an opponent all over the world. He will definitely come back with Bo Xia's head. But Ji Zheng has many eyes and ears in the palace. Sooner or later he will know about us. Oh, I don't know when I will be your queen." She sighed deeply. Ji Dai looked at the vermilion roof beams and the curly grass patterns drawn by golden threads, with a frenzied expression on his face: "Things will change soon. Brothers always take turns to sit on the king's throne. I have already told you brother It was agreed that the day when he returns to Beijing with Bo Xia's head in hand is the day when I will start." He rolled over and started kissing the ambitious woman next to him. He knew that this was a political and emotional double gamble, and this woman was not only his bed prey, but also a political dice for him to bet against Ji Zheng. She is a rare treasure in his hands. ordered The Bo Xia mission crossed the border of the directly-administered area of the empire, crossed the border of Zheng State, and headed slowly towards Xiangyi, the capital of Song State. The cattail grass, bracken and coriander are swaying in the wind, the farmers are bending over to cultivate in the fields, and the beautiful village girls are picking the new and tender mulberry leaves and curly ears, and the singing of labor can be heard from time to time, which is the folk song of Zheng State. Nostalgia poured into Bo Xia's ears like this. Returning to his hometown this time reminded him of his childhood games and short-lived love in his youth. At that time he had loved a young sweet potato girl. When it was raining, he was secretly playing with his little penis in front of the door, and the girl saw him playfully, tied it up with a fine hemp rope, held the other end in her hand, and dragged him to run wildly in the rain until Until I can't breathe. Later, he put on his trousers, picked wild flowers in the forest, and made an oath, saying that the other party would not marry, and the two children were so moved that they burst into tears. A year later, the girl's family moved to the state of Chu. With tears in his eyes, he watched the ox cart slowly leave, his glass heart fell to pieces on the ground. This first love that ended in parting meant the end of childhood. What he sees at this moment are all the beautiful scenery of the past, but people are gone, leaving only sad fragments of memory. He didn't know how to get back his first love girl and return to that unattainable childhood. For Bershar, his childhood was so fragmented, full of mysteries that were hard to recall and explain. For a long time, he has been deeply confused about his birth. But after that national ceremony, an incredible adventure completely changed his view. For the first time in many years, he grasped his roots and had the joy of being reborn. father god That day, just after the ceremony of offering sacrifices to the god of spring, Jumang, King Ji Zheng's team left in a mighty way, with flying flags and swift horseshoes, leaving behind a mess of rubbish. The handymen were cleaning up the mess after the celebration, while Bo Xia walked into the Jumang Temple alone, looked at the huge statue with a human head and a bird body, knelt down reverently, put his head on the futon, and began to pray silently. This is the first time he has entered the main sacrifice temple in Jumang. He felt a strong pressure on his back, which made him unable to stand up at all, and even found it difficult to breathe. He closed his eyes, and saw Gou Mang flying down from the divine throne, taking off the rigid square mask, and turning into a handsome boy in white, with dazzling rays of light radiating from his body, and a strange fragrance filled the hall. He felt that the pores all over his body were slowly opening, and some strange things were coming in and out, like some tiny and shining light clusters. They gathered around him, and then entered the body to run, driving the whole blood, like countless rivers rushing on the body, the skin and senses became sharp, at the last moment, he could even hear the cries of the spiders, they hurriedly crawled on the side of the statue Between the gaps, it seems to be rushing to a grand gathering. When Bo Xia raised his body again, he felt that he had become more sensitive and powerful, and he could hear the cuckoo singing more than ten miles away. He has had the ability to perceive plant emotions since he was a child, but he thought it was a dangerous ability, and he was afraid of being regarded as evil, so he carefully concealed it. But at this moment, this sensitivity is being strengthened and brought to a new level. He raised his head, and Jumang returned to the old wooden statue, wearing a square mask, maintaining his usual silence. At this time, the fruit placed on the divine table suddenly sprouted light green shoots. Yan Lu, the high priest of the temple, walked into the hall, wearing a strange wide-brimmed hat. He was short in stature, and his robes stretched to the ground, but he was majestic and majestic, just like a great master of a generation. He stood beside the incense table, looked at Bo Xia carefully, and then asked loudly: "Could it be that Bo Xia is under your step?" Bo Xia got up and saluted: "This is right." Yan Lu smiled slightly: "I have known your life experience for a long time, and I also know that you are going to pay homage in the temple today. I specially wait here, please accept my worship." Bo Xia hurriedly replied: "I don't dare. I don't know what the master taught you?" "Okay, then I won't go around in circles. I was ordered to tell you a secret. You have the blood of a god in your body, because you were born of God Goumang and a girl." Bo Xia looked at this famous stranger full of doubts, but he didn't know how to answer. Yan Lu looked at him carefully, and said solemnly: "According to the laws of the heavens, half-gods and half-human 'miscellaneous' like you must be raised by humans, and only when you take the initiative to pay homage to God the Father Only when the temple is opened can the sacred connection with him be restored." "Then how do you know my secret?" Bo Xia was full of suspicion. "I knew you as soon as you were born." Yan Lu smiled slightly, "You have at least one hundred and twenty brothers and sisters, including me of course, but you are the most important one, because only you can Use Jumang supernatural power. This supernatural power will become stronger and stronger in the future." Bo Xia was still at a loss. It was difficult to understand this sudden message for a while. Yan Lu showed a considerate smile: "It doesn't matter, you will gradually understand. Father God foresees that you will come here, and I have two treasures that I want to hand over to you." He turned around and took out a scroll from behind the screen. A silk book and a painted pottery bottle were placed in his hand, "This is the Goumang seeds. If you sprinkle them into the soil, various crops will grow quickly. Father God said, you will need it in the future. " After thanking Bo Xia, he took the silk book and pottery bottle, watched Yan Lu turn and walk away, then poured out a few seeds, walked out of the temple gate, and sprinkled them in the soil outside the temple. Seeing them fall into the mud, it was contrary to the normal season , grow branches and vines, climb up the steps, entangle the stone beasts and doorposts, bear various grains, vegetables and fruits, and emit a strong fragrance. All these actions are completed quickly in a short time. He was dumbfounded. He returned to the temple again, knelt down in front of the Jumang statue, suddenly felt a great emotion, burst into tears, and didn't want to stand up for a long time. For his life experience, he has always only had some vague memory fragments. It is said that before he was born, his father died in the war. When he was five years old, his mother hanged herself because of poverty. After that, he was adopted by his aunt, but he was often beaten by her uncle. As a devastated orphan, Bo Xia was infinitely confused by his biological parents leaving without saying goodbye, and even resented them for this, blaming them for giving birth to him indiscriminately, but refusing to fulfill their responsibilities. Now, the mystery is rapidly dissolving. For the first time, he knew his true origin and the source of his abilities. Father hadn't abandoned him, he thought waking up from a dream. The sun filled the entire courtyard, with soft thorns, hugging him warmly, reminding him of his mother's vague face. She was so distant and close, strange and intimate, and at this moment, from Father God, he held a similar feeling again. When he left the temple, he finally felt reborn. He opened the silk book under the sun, and saw two big cloud-like characters on it - "Longevity". In an instant, the word disappeared, as if the water vapor had been evaporated. Excerpted from "Longevity Game", Huacheng Publishing House, 2018 references 豆瓣读书：长生弈读书笔记.pdf Freely switch between selected reading pages of various novels big bucket Go to vat optional reading Kirin Go to Kirin Selected Reading Weeping Master Go to full text of Weeping Master word making Go to Selected Reading of Characters yellow Go to Youhuang Full Text Physiologian Go to the full text of Physiologian magic mirror Go to God Mirror Selected Reading Changshengyi Go to Longevity Game Selected Reading Perfumer Go to the full text of Xiang Taoist Back to Selected Readings

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. 返回主要文论著作 华夏上古神系(上下卷) 新书首发读者分享会（上海，北京） 时间：2914年6-9月 地点：上海永和路456号 雍和创智广场 朱大可工作室 地点：北京 在本书后记中， 朱大可如是说： 在“国学”兴盛的当下，如果没有对上古神话的透彻了解，就无法洞悉先秦哲学的真相，进而探明中国文化精神的本源，并为中国文化的未来复苏与改造，以及“二十一世纪新文化运动”的出现，提供一份建设性的学术卷宗。 平装本上下册 限量精装本全一册 大棠文化沙龙首谈：华夏上古神系上海研讨会 出席嘉宾：钱文忠、吴亮、孙甘露、许剑秋、刘擎、王小龙、叶开等 本书作者朱大可正在发言 花城出版社副社长邓如宣布首发式启动 作者、出版社编辑和嘉宾共同按动发布按钮 作者、出版社编辑和嘉宾共同按动发布按钮 发布式的嘉宾们，最左为本书责编夏显夫 座中的青年女诗人 作者、出版社编辑和嘉宾共同按动发布按钮 华夏上古神系北京研讨会 腾讯思享会291期：重寻中国文化复兴的精神起点 主持：刘苏里；嘉宾：许剑秋、张鸣、任剑涛、高全喜、刘军宁、北岛、余世存、叶匡政、苏小玲、耿潇男等 作者、出版社编辑和嘉宾们在研讨现场 朱大可、许剑秋和北岛 东方出版社总编辑许剑秋发言 高全喜和任剑涛 朱大可与苏小玲 苏小玲、余世存、张鸣、朱大可、叶匡政等 《华夏上古神系》目录 《华夏上古神系》目录.pdf 作者后记 在“国学”兴盛的当下，如果没有对上古神话的透彻了解，就无法洞悉先秦哲学的真相，进而探明中国文化精神的本源，并为中国文化的未来复苏与改造，以及“二十一世纪新文化运动”的出现，提供一份建设性的学术卷宗。 然而，中国上古神系的梳理，却是一种费力而低效的事务。本书的目标，是试图越过历史叙事的铁幕，以一种跨文化空间的视野，借助全球文明的光亮，去探明中国神话的初始轮廓，而鉴于上古典籍的多次燔毁，以及两汉篡经运动制造的学术迷津，任何针对中国神话的研究，势必会引发更强烈的挫败感。人的穿越式触摸，只能抵达早期第二代神话的时段，而其中20位神祗的拼图式肖像，也只能停留在粗线条的素描阶段。 毫无疑问，上古神话研究不应是单个学人的自闭式书写。旧神话的解放，以及新神话秩序的建立，完全取决于宗教在现实生活中的意义，也即取决于世人对精神生活的渴望，以及知识界寻求真相和真理的共同勇气。 本书的写作，可谓是一场马拉松式的长跑。早在20年前，我便发现了全球神名首位音素的同一化现象，并就此着手对上古神话的探究，其中的部分观点，写入《禹：中国民族精神的话语起源》（1992）一文，但因出国旅居和其后对当代大众文化的介入，这项计划被反复打断，但最终在20年之后，在当代生物学成果的鼓舞下，以45万字的篇幅，形成一个极为粗陋的学术文本，记录了关于中国神话起源的主要心得。 跟《流氓的盛宴》之类的思想笔记不同，这是我的首部“一本正经的学术专著”，它迫使我放弃固有的语体风格，转而采用大量引文与注释，以迎合某种“公共游戏规则”。尽管神话、文学、文化哲学和符号学，是一种固执的个人偏好，但“史学”、“语言学”和“中国哲学”，均非我的“本职专业”；书中的第一章，也只是对现有生物学和人类学成果的笨拙转述而已。这种界别矛盾，是本书问题成堆的主要原因；其中所含的诸多谬误与不妥之处，只能在听取读者意见之后，于修订版中加以校正了。就我而言，写作是一种遗憾的技艺，并且还是归零的实验与探险。 本书撰写和编辑过程，得到了工作室团队的充分协助。青年画家林伟斌在我的学术指导下，画出一批实验性神像，为上古神像谱系的绘制，作了含带其个人趣味的造型探索。第一、二章有关上古语音学的论述，亦蒙上海师大应用语言学研究所王弘志副教授加以校订。我东方出版社总编辑许剑秋先生及其编辑团队，对本书的写作，给予极大的鼓励与支持，在一个以“畅销”为出版标准的时代，这种“严重亏本”的纯学术著作，通常极难获得出版方的倾力支持。对此我唯有借“后记”之隅，向东方的朋友们表达深切的谢意。 这些年来，上海“朗天文化”持续地、毫无索求地赞助研究工作，成为我写作生涯里的一项重要支撑，如果没有这种无私的援助，这种艰难的研究将难以为继。我亦要借此机会，再次向“朗天”的朋友们致敬。 书中采用的图片，少部分为自己所摄，大多来自互联网，本人尽可能注明作者或出处，但也有一些旧时储备在硬盘里的图片，无法还原其来源。唯望有关作者见书后跟责编联系，以便支付必要的稿酬。同时，我也要感谢这些图片的作者，如果没有这种视觉支持，本书的叙述将变得毫无生趣。 朱大可记于上海梅陇镇寓中，2012年10月24日 相关资讯链接 中国青年报：朱大可：《华夏上古神系》击碎国粹陋见 中国新闻社：学者朱大可推新作《华夏上古神系》 重构神话谱系 人物周刊：朱大可：神话是中国人的心灵避难所 魏英杰：华夏上古文明史的颠覆与重构 搜狐网：真相的探险——浅论朱大可的中国神话传说研究 当代儒学网：叶开：《华夏上古神系》终结了儒家的神话体系 后院读书会：《华夏上古神系》，颠覆你的中国文明起源观 个人图书馆：华夏诞生于世界母腹的推论 (评论: 华夏上古神系) 鸣 谢 《华夏上古神系》被视为“民族虚无主义”的代表作，对它的围剿，已成为“国家社科重大课题”，中国社科院文学研究所2023年公开展示了该项目的“中期研究成果”。但其最终成果始终不见下落。这场围剿的声势要是能够更加浩大，则该书的历史地位将变得更加坚固。不仅如此，尽管该书于2023 年因一名杭州中医投诉而被下架，但目前精装本在市场上已被炒至350-500元，并且售价还在继续飙升之中。感谢伟大的时代，让这部拙著得到了历史性的礼遇。 书名：华夏上古神系 出版社：东方出版社 出版日期：2014年6月 策划人：许剑秋 责任编辑：黄晓玉，刘淑芹，张军平 返回主要文论著作

Online videos of Zhu Dake,about his show Zhu Dake video highlights Due to cultural cleansing, most of the videos related to Zhu Dake have disappeared from the Internet, and the effective links are limited. Not only have they been edited to pieces, but there are also boring advertisements attached, please watch carefully. Scholarly Series Zhu Dake said "Song of Everlasting Sorrow": the "work" of Shanghai women Zhu Dake said "Fortress Besieged": Surrounding Qian Zhongshu's former residence Zhu Dake Talks about the Besieged City: Intense Debate with Dou Wentao on Success Zhu Dake talks about the siege: ridiculing intellectuals in order to dispel fawning A good book / see words as faces Zhu Dake talks about "The Moon and Sixpence" with Jiang Fangzhou Zhu Dake and Shi Hang discuss the letter "Thanks to Poverty" Zhu Dake and Wu Bofan discuss Patton's letter Zhu Dake and Xu Zidong discuss Han Yu's letters Round Table Pie Series Zhu Dake talked with Wang Meng and others about the standard answers for Chinese lessons China is a character nation, relying on the integration of Chinese characters into a cultural community The inscription is Chinese language witchcraft to gain power Not sleeping for more than a month, creating a miracle of physiology Zhu Dake and Wang Meng talk about the superiority of Chinese characters in the computer age Phoenix Television Zhu Dake: The History and Current Situation of Popular Culture Zhu Dake and Ouyang Jianghe talk about the value of poetry my humble opinion What desires did Baby Anne, Guo Jingming and Han Han express? Tencent.com Zhu Dake talks about Chinese people's concept of sex Other video highlights Zhu Dake Salon of Yunjian Literary Association: Dialogue with Liu Suola on "Ancient Matters" Zhu Dake talks about the crisis and recovery of Chinese culture Zhu Dake: As long as we talk about culture, we must admit the need to pretend Zhu Dake: All the "creations" of the Qin Empire were cloning Persia Zhu Dake: Who is the Terminator of Sanxingdui Civilization Cultural Enlightenment Short Video Collection (2024) All the above are taken from the WeChat video account

Online warehouse and exhibition hall of Zhu Dake's works，Contains Dake Zhu's cultural criticism, mythological studies, and historical studies, novels, essays, and research materials about him. 返回小说随笔著作 记忆的红皮书 文革岁月的戏剧性记忆 也是“朱语”的重要样本 Asia Weekly report link "Great Pail" selected comments The strange relationship between America and China during the Yin and Shang Dynasties has spread from the bold imagination of the academic circle to the world described by the writers. However, as a mythologist and cultural critic, Zhu Dake's speculative ability and theoretical construction have perfectly combined academic rigor and literary imagination, bringing fables and mythology and humanistic depth to the text. "Great Pail" revolves around a circular city "Tizok" in the tropical rainforest of Central America at the end of the seventeenth century. The mysterious tribe from "Yindi" has multiplied here for three thousand years, and evolved an independent world driven by a perpetual motion machine. city of. With the aid of his earthly incarnation, Feathered Serpent seeks to save the lonely, self-spinning city-state from tyranny and destruction. Zhu Dake endowed "god" with "humanity", spread the narrative from the late eighteenth century to the 1980s, and controlled a story of twists and turns with a grand narrative structure. The mythological narrative landscape similar to "Game of Thrones" was praised by the writer Bei Cun as "a unique text in Chinese novels". 记忆的红皮书目录 点击文章标题阅读 第一辑 脚与颅的叙事 洗脚之歌 隐士的精神分析 墙的精神分析 迷津与线索 约伯之痛，我们无尽的哀歌 灵玉的精神分析 瘟疫、肺痨、萨斯：疾病美学三部曲 萨斯时代的口罩美学 缅怀浪漫主义 第二辑 记忆的红皮书 大革命时代的邻人们 音乐的秘密节日 书架上的战争 众神的嬉戏 吃喝的自白书 1967年的鸡血传奇 祭坛上的童年 领与袖的红色风情 迷津里的少年行旅 疯癫的喜剧 第三辑：城市密码 越过上帝的废墟 墓地的缄默和光线 两千年的孤寂声音 人类学镜像和花腰彝歌舞 图书馆的生死书 歌剧院里的隐秘戏剧 茶馆、茶道和世界的容貌 咖啡馆的文化春药 雕像的旧梦新愁 老虎洞、故宫和沙尘暴 哈卡人与京沪轴心 明清民居的权力布局 第四辑：声音的礼颂 声音的戏剧 眺望男孩嬉戏的乐园 死亡的多米诺骨牌 公寓，在失眠中燃烧 无常年代里的生命情愿 第五辑：唐人街歌谣 市政厅：风快速掠过手指 乌托邦的歌剧院 唐人街和欲望的战争 穿越中国迷园的小径 莎拉：一枚沉默的火焰 舞蹈的盲肠 第六辑：字纸和影像的真理 贝克特：一个被等待的戈多 加缪的西西弗 我坐在加缪先生的山顶上 走出思想的童谣 “荡妇”麦当娜和香烟变法 女胸的三种历史语义 乌托邦的服饰 第七辑：小说烧杯和炼金术 雷雨前书 方舟哀歌 铜镜记 罕达奇迹书 巢父记 仙鹤启示录 诗歌：妹妹（代跋） 后记 作者后记 本文集是我二十多年来感性文字的集合体，它像一个年代久远的箱笼，收藏了我的大部分话语细软。其中包含散文、随笔、书评、文化分析以及实验小说等各种文体。在编完这个集子时，我突然意识到，生命的一部分，已经转成另一种样式保存下来。它只不是我自身的历史镜像，更是灵魂变形和物化的结果。这些活的文字，张扬高蹈，业已成为独立于我之外的独立生命。在重读它们的过程中，一种他者化的陌生感击中了我的手指，仿佛是在读另一个灵魂的独语。 本文集以诗歌作为序言，是因为虽然我很少写诗，但这种领袖文体却内在地指导着我的书写，逼迫它走向隐喻和诗意的在所。在面临口水化危机的时刻，坚守汉语的最后防线，成为一种令人窒息的愿望。而不幸的是，这些问题成堆的文字，也许只能成为一堆发黄的故纸，在图书馆的昏暗光线里朽坏下去。个人话语的螳臂，又何以能阻止汉语衰变的历史巨轮？本书以“盲肠”自谓，就是企图表达这种悲观性的立场。 尽管如此，我还是要感谢花城出版社编辑林宋瑜女士。正是她的不懈努力，这本小书才得以在“净化”之后问世。我也要感谢曾经刊载过这些文章的报刊编辑，他们的鼓励和敦促，是我维系写作的另一个重要动力。在书稿编订期间，我的母亲、这个跟我共同生活50年的女人，在90高龄上弃我而去，令我感到了断腕般的疼痛。正是她的几近严苛的教育方式，成就了我的书写事业。本书稿，就是献给她的一份卑微的祭品。 本书的封面设计和内文装帧，均出自我学生张嫣的手笔。其中插入的图片，大部分由我自己拍摄，个别取自互联网，因很难寻找原作者，只能在此表示诚挚的谢意，并希望作者有机会看到本书时尽快跟出版社联系。无论如何，本书中出现的这些影像记忆，为本书增添了岁月的魅力。 2007年6月27日于上海莘庄 书评及报道 蒋蓝：红皮书的文化密码——评朱大可《记忆的红皮书》 何小竹：零年代的思想叙述者——读朱大可《记忆的红皮书》 黄集伟：论《记忆的红皮书》（观点网） 豆瓣读书：作为盲肠的记忆 简书：疯狂年代的人性窥密 豆瓣读书：朱大可的精神记忆（孤舟蓑笠翁 ） 豆瓣读书：大可主义——浅谈《记忆的红皮书》之文革回忆录中浪漫与现实的冲突与融合 南方都市报的朱大可访谈：关于记忆的红皮书 中国青年报：朱大可：大众鄙视精英成为时尚 新京报：朱大可新书《记忆的红皮书》收入小说 经济观察报：朱大可戴上眼镜，提高情商（万晓晓） 书名：记忆的红皮书 出版社：花城出版社 出版日期：2008年1月 责任编辑：林宋瑜 返回小说随笔著作